Event is Live
CARNEGIE HALL PRESENTS

Soloists of the Kronberg Academy

Friday, February 21, 2020 7:30 PM Weill Recital Hall
The extraordinarily talented young musicians of the Kronberg Academy make their Carnegie Hall debut in an exciting program of music that spans the Baroque to the present day. Hear them take on the tremendous technical challenges of Bach’s emotionally powerful Chaconne, explore the introspective virtuosity of Chausson’s Poème, soar in the passionate intensity of a Brahms sonata, and much more.

Soloists of the Kronberg Academy are also performing February 22 (3 PM and 7:30 PM) and February 23.

Performers

Marc Bouchkov, Violin
Jonathan Roozeman, Cello
Jean-Sélim Abdelmoula, Piano

Program

MARC BOUCHKOV Fantaisie for Solo Violin

BACH Chaconne in D Minor from Violin Partita No. 2, BWV 1004

CHAUSSON Poème for Violin and Piano, Op. 25

BOCCHERINI Cello Sonata in A Major, G. 4

BRAHMS Cello Sonata No. 2 in F Major, Op. 99

Event Duration

The printed program will last approximately two hours, including one 20-minute intermission.
Distinctive Debuts is supported by endowment gifts from The Lizabeth and Frank Newman Charitable Foundation and the Stavros Niarchos Foundation (SNF).
In honor of the centenary of his birth, Carnegie Hall’s 2019–2020 season is dedicated to the memory of Isaac Stern in recognition of his extraordinary contributions to Carnegie Hall, arts advocacy, and the field of music.

At a Glance

MARC BOUCHKOV  Fantaisie for Solo Violin

Marc Bouchkov traces his artistic ancestry back to the great Belgian virtuoso Eugène Ysaÿe, who blazed a new path in violin technique at the end of the 19th century. Based on a Ukrainian folk song, Bouchkov’s bravura Fantaisie pays homage to Ysaÿe’s solo sonatas even as it alludes to the Ukrainian revolution of 2014.

 

BACH  Chaconne in D Minor from Violin Partita No. 2, BWV 1004

The majestic variations-style finale of Bach’s great D-Minor Partita for Solo Violin has long been regarded as a pinnacle of the violin repertoire. The Chaconne also provided a model for composers like Brahms—himself a master of variation and counterpoint—and helped inspire Ysaÿe’s sonatas for unaccompanied violin.

 

CHAUSSON  Poème for Violin and Piano, Op. 25

Chausson’s moodily rhapsodic masterpiece has been an audience favorite ever since its premiere in 1896. Composed in response to Ysaÿe’s request for a concerto, the Poème was originally scored for violin and orchestra, but Chausson later arranged it for violin and piano, both with and without string quartet accompaniment.

 

BOCCHERINI  Cello Sonata in A Major, G. 4

Boccherini was lionized throughout 18th-century Europe as both cellist and composer. The Sonata in A Major illustrates the easygoing charm that led one of his contemporaries to quip, “If God wanted to talk to men, he would use the music of Haydn; and if he wanted to listen to music, he would have that of Boccherini performed.”

 

BRAHMS  Cello Sonata No. 2 in F Major, Op. 99

The “autumnal” quality often ascribed to Brahms’s music owes much to his partiality—especially in his later years—for the alto voice and the burnished timbres of the viola and clarinet, yet he was drawn to the distinctive sound of the cello as well. He demonstrated his affinity for the instrument in two sonatas, of which Op. 99 is the more outgoing and exuberant.

Bios

Marc Bouchkov

Marc Bouchkov was born in 1991 to a family of violinists. He received his first lessons at age five from his grandfather, Mattis Vaitsner, and later studied with Claire Bernard and Boris ...

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Jonathan Roozeman

Born in 1997, Finnish-Dutch cellist Jonathan Roozeman began his musical education at the Sibelius Academy in Helsinki with Martti Rousi. In 2013, he was awarded a special prize at the 2013 ...

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Jean-Sélim Abdelmoula

Born in 1991, pianist and composer Jean-Sélim Abdelmoula first studied piano with Christian Favre at the Haute École de Musique de Lausanne, and later enrolled at the ...

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