Soloists of the Kronberg Academy
Soloists of the Kronberg Academy is also performing February 21, February 22, February 23.
Performers
Stephen Waarts, Violin
Matthew Lipman, Viola
Mishka Rushdie Momen, Piano
Program
DOWLAND "Flow, my tears, fall from your springs" (arr. Lipman)
DOWLAND "If my complaints could passions move" (arr. Lipman)
BRITTEN Lachrymae for Viola and Piano, Op. 48
CLARKE Viola Sonata
ENESCU Impressions d’enfance
YSAŸE Violin Sonata No. 3 in D Minor, "Ballade"
BARTÓK Rhapsody No. 2
Event Duration
The printed program will last approximately two hours, including one 20-minute intermission.At a Glance
DOWLAND “Flow, my tears, fall from your springs” and “If my complaints could passions move”
A peerless songwriter and virtuoso lutenist, Dowland transformed the conventional themes of Elizabethan poetry into miniature lyrical masterpieces. These two songs illustrate the melancholic strain that contemporaries associated with his music.
BRITTEN Lachrymae for Viola and Piano, Op. 48
A keen student of England’s musical heritage, Britten frequently turned to it for inspiration in his own work. This haunting and technically challenging duet is a set of variations on Dowland’s “If my complaints could passions move.”
CLARKE Viola Sonata
Anglo-American violist and composer Rebecca Clarke has belatedly gained recognition as one of the most powerful and distinctive voices of the early 20th century. Dating from 1919, her innovative and boldly expressive sonata has become a mainstay of the viola repertoire.
ENESCU Impressions d’enfance, Op. 28
Like Bartók, Romanian composer George Enescu had a deep interest in the folk music of his native land. This rarely performed programmatic suite for violin and piano evokes vivid impressions of the composer’s childhood in the Moldavian village of Liveni.
YSAŸE Violin Sonata No. 3 in D Minor, Op. 27, “Ballade”
In the tradition of Bach’s solo violin works, this bravura showpiece by Belgian violinist-composer Eugène Ysaÿe exploits the instrument’s technical and expressive resources to the full. As its subtitle suggests, the short single-movement sonata combines lyricism and virtuosity in equal measure.
BARTÓK Rhapsody No. 2 for Violin and Piano
Keen to replenish his recital repertoire in the 1920s with crowd-pleasing fare, Bartók dedicated the Rhapsody No. 2 to Hungarian violinist Zoltán Székely, his frequent ensemble partner. It features the two-part slow-fast design of a traditional Hungarian soldiers’ dance.