Boston Symphony Orchestra
Part of: Leonidas Kavakos
Performers
Boston Symphony Orchestra
Andris Nelsons, Music Director and Conductor
Leonidas Kavakos, Violin
Program
IVES The Unanswered Question
UNSUK CHIN Violin Concerto No. 2, "Scherben der Stille" ("Shards of Silence") (NY Premiere)
BERLIOZ Symphonie fantastique
Event Duration
The printed program will last approximately two hours, including one 20-minute intermission.Listen to Selected Works

At a Glance
Charles Ives was an American original, combining the traditional music of churches and marching bands with exuberant experiments in sound. Little recognized for his music during his lifetime, he made his fortune in the life insurance business. His reputation as a composer grew gradually from the 1920s on, after he’d virtually retired from writing new works; he was finally awarded a Pulitzer Prize for his Third Symphony in 1947. Ives wrote his atmospheric The Unanswered Question originally for chamber ensemble in 1908; the version with full strings dates from the 1930s.
South Korea–born composer Unsuk Chin, who has been based in Germany for several decades, had no intention of writing a second violin concerto to follow her highly acclaimed, Grawemeyer Award–winning Violin Concerto of 2001, but was moved to do so by the playing of violinist Leonidas Kavakos. A joint commission of the Boston Symphony Orchestra, London Symphony Orchestra, and Leipzig Gewandhaus Orchestra, the concerto was premiered in London in 2022. Leonidas Kavakos and the BSO under Andris Nelsons’s direction gave the US premiere of the piece in Boston on March 3, 2022.
It was just three years after Beethoven’s death that the 26-year-old Berlioz wrote his Symphonie fantastique, a fantastical work of “musical autobiography” inspired by his initially unrequited love for Irish actress Harriet Smithson. In the throes of that infatuation, the young composer produced a programmatic symphony unlike any music ever composed, depicting the story of a lovesick young artist who, in an opium-induced dream, imagines himself killing the object of his affection (who is represented throughout the work by one of Berlioz’s notably long-breathed musical themes), after which he is executed and finds himself in the midst of a frightful witches’ Sabbath—all revealing Berlioz as one of the most original and creative minds ever to write for the orchestra.