Event is Live
Carnegie Hall Presents

Galilee Chamber Orchestra

The Annual Isaac Stern Memorial Concert
Friday, March 18, 2022 8 PM Stern Auditorium / Perelman Stage
Saleem Ashkar by Liudmila Jeremies, Joshua Bell by Erik Kabik
The Galilee Chamber Orchestra is the first professional orchestra comprising both Arab and Jewish musicians in Israel. As part of Polyphony Education, an Israeli nonprofit that aims to promote peace between Arab and Jewish communities, the orchestra is led by pianist and conductor Saleem Ashkar. For Carnegie Hall’s Annual Isaac Stern Memorial Concert, violinist Joshua Bell performs with the orchestra in honor of the late violinist who led the charge to save the Hall in 1960.

Part of: Carnegie Hall Live on WQXR

Performers

Galilee Chamber Orchestra
Saleem Ashkar, Music Director and Conductor
Joshua Bell, Violin

Program

HAYDN Symphony No. 59, "Fire"

BRUCH Violin Concerto No. 1

KARIM AL-ZAND Luctus Profugis (NY Premiere)

BEETHOVEN Symphony No. 1


Encore:

SHOSTAKOVICH Prelude from Five Pieces (arr. Levon Atovmyan) (Joshua Bell and Guy Figer)

Event Duration

The printed program will last approximately two hours, including one 20-minute intermission.

Listen to Selected Works

At a Glance

This concert presents three early but compelling works—two in the Classical tradition, another in the Romantic—plus a New York premiere. Beethoven’s First Symphony, the composer’s initial foray into a form he was to change forever, has premonitions of the energy and innovativeness in Beethoven’s mature work. It is appropriate that it premiered in 1800, as it is one of several early Beethoven pieces that brought the 18th century to a dramatic climax even as it ushered in the 19th. Haydn, whose blazing, aptly subtitled “Fire” Symphony opens this program, inaugurated the Classical symphonic form that Beethoven stretches to the breaking point, and his own symphony plays with the form as well. Bruch’s Violin Concerto has the lyricism, spontaneity, and organic structure we immediately associate with Romantic sensibility. Premiered in 1868, it is an unbroken flow, so much so that many resisted calling it a concerto, which usually has neatly segmented contrasts and movements. The concerto’s unity and spontaneity—belied by its torturous composition process—have made it a favorite with audiences, much to the irritation of the composer, who believed his later pieces were unjustly neglected. 

Bios

Galilee Chamber Orchestra

Founded by Polyphony Education in 2012, the Galilee Chamber Orchestra broke ground as the first professional orchestra composed of both Arab and Jewish musicians in Israel. Initially, the ...

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Saleem Ashkar

Pianist and conductor Saleem Ashkar made his Carnegie Hall debut at the age of 22 and has since gone on to establish an exciting and versatile international career. Recent and future ...

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Joshua Bell

With a career that spans almost four decades, Grammy Award–winning violinist Joshua Bell is one of the most celebrated violinists of his era. Having performed with virtually every ...

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