Ensemble Connect
Performers
Ensemble Connect
- Amir Farsi, Flute
- Bixby Kennedy, Clarinet (Alum)
- Yasmina Spiegelberg, Clarinet
- Nik Hooks, Bassoon
- Cort Roberts, French Horn
- Joanne Kang, Piano
- Elizabeth Fayette, Violin (Alum)
- Stephanie Zyzak, Violin
- Halam Kim, Viola
- Madeline Fayette, Cello (Alum)
- Evan Premo, Double Bass (Alum)
Program
WYNTON MARSALIS "Meeelaan"
R. SCHUMANN Märchenerzählungen
KAIJA SAARIAHO Semafor (World Premiere, co-commissioned by Carnegie Hall)
BRAHMS Trio in E-flat Major for Violin, Horn, and Piano, Op. 40
Event Duration
The printed program will last approximately 90 minutes, including one 20-minute intermission.Global Ambassadors: Michael ByungJu Kim and Kyung Ah Park, Hope and Robert F. Smith, and Maggie and Richard Tsai.
Additional support has been provided by the Alphadyne Foundation, Arnow Family Fund, the Mercedes T. Bass Charitable Corporation, Ronald E. Blaylock and Petra Pope, The Gladys Krieble Delmas Foundation, E.H.A. Foundation, Mr. and Mrs. Anthony B. Evnin and the A.E. Charitable Foundation, Barbara G. Fleischman, Clive and Anya Gillinson, Marc Haas Foundation, Stella and Robert Jones, Martha and Robert Lipp, Leslie and Tom Maheras, Andrew J. Martin-Weber, Lauren and Ezra Merkin, Beth and Joshua Nash, Rockefeller Brothers Fund, Susan and Elihu Rose Foundation, Melanie and Jean E. Salata, The Morris and Alma Schapiro Fund, Sarah Billinghurst Solomon and Howard Solomon, Joyce and George Wein Foundation, Inc., Linda Wachner, David S. Winter, and Judy Francis Zankel.

At a Glance
WYNTON MARSALIS Meeelaan
Marsalis takes seriously his self-appointed role as keeper of the flame fed by the likes of Louis Armstrong, Duke Ellington, and John Coltrane. His reverence for tradition is equally apparent in his compositions, which range from works for jazz combo and orchestra to music in classical genres. Composed in 1999 for virtuoso bassoonist Milan Turković, Meeelaan is an engaging potpourri of classical, blues, jazz, and tango idioms, infused with a rhythmic drive reminiscent of Stravinsky.
R. SCHUMANN Märchenerzählungen, Op. 132
Schumann embodied the spirit of the Romantic era in his affinity for small-scale musical forms and lyrical utterances, his reliance on literary and other extra-musical sources of inspiration, and, above all, the value he placed on emotional freedom and spontaneity. All three factors are in play in the four musical “fairy-tale narrations” that comprise his fantasy-like Märchenerzählungen for clarinet, viola, and piano.
KAIJA SAARIAHO Semafor
Kaija Saariaho is known for such imaginative and evocatively titled works as the string quartet Nymphéa, the cello concerto Notes on Light, the orchestral song cycle Château de l’âme, and the opera L’amour de loin. Semafor is a reference to the late Finnish abstract artist Ernst Mether-Borgström, who created playful and colorful sculptures by that name that he thought of as traffic signs in our urban jungle.
BRAHMS Trio in E-flat Major for Violin, Horn, and Piano, Op. 40
The Trio for Violin, Horn, and Piano is one of a string of chamber music masterpieces that Brahms brought to fruition in 1865 after varying periods of gestation. All are characterized by a carefully calibrated balance between introspection and exuberance—the combination of Schubertian lyricism and Beethovenian drama. Laid out in four movements, slow-fast-slow-fast, the E-flat–Major Trio instantly transports the listener into the realm of pastoral idyll.