Event is Live
Carnegie Hall Presents

Anne-Sophie Mutter and Friends

Thursday, June 2, 2022 8 PM Stern Auditorium / Perelman Stage
Anne-Sophie Mutter by Kristian Schuller
Since her debut in 1981, Anne-Sophie Mutter has made each of her appearances at Carnegie Hall celebratory events. She has explored concerto and chamber music classics, as well as premiered works by today’s leading composers throughout her glorious career. With her “rich, glossy tone and glamorous stage presence” (The New York Times), the “undisputed queen of violin-playing” (The Times, London) returns to hold court with some of her musical friends in works that span Haydn to the US premiere of a new string quartet by Jörg Widmann. 

Performers

Anne-Sophie Mutter, Violin
Ye-Eun Choi, Violin
Vladimir Babeshko, Viola
Pablo Ferrández, Cello

Program

HAYDN String Quartet in E-flat Major, Op. 20, No. 1

BEETHOVEN String Quartet in G Major, Op. 18, No. 2

JÖRG WIDMANN Study on Beethoven (6th String Quartet) (US Premiere)


Encore:

MOZART Molto Allegro from String Quartet in D Major, K. 155

Event Duration

The printed program will last approximately two hours, including one 20-minute intermission.

At a Glance

HAYDN  String Quartet in E-flat Major, Op. 20, No. 1 

Haydn’s six Op. 20 string quartets bedazzled audiences in the 1770s with their prodigal display of formal and melodic invention. In making the four players more or less equal partners, Haydn distanced himself from the top-heavy part writing that characterized the instrumental chamber music of the Rococo period. Although it is designated a divertimento a quattro on the manuscript, the work marks a sharp departure from the old-style string ensembles.

 

BEETHOVEN  String Quartet in G Major, Op. 18, No. 2

In his six Op. 18 quartets written between 1798 and 1800, Beethoven staked his claim to the title of Haydn’s and Mozart’s successor in the rarefied realm of the string quartet. Indeed, the G-Major Quartet all but challenges Haydn on his own turf with its mixture of classical formality and rambunctious high spirits. It may have been this blithe disregard for convention that led a contemporary critic to dismiss the Op. 18 quartets as “very difficult to perform and not at all popular.”  

 

JÖRG WIDMANN  Study on Beethoven (6th String Quartet)

German composer-clarinetist Jörg Widmann is an old hand at evoking the past in a contemporary idiom. His polyvalent allusions and borrowings range from a straightforward orchestral arrangement of the slow movement from Felix Mendelssohn’s Clarinet Sonata to a 40-minute–long Clarinet Quintet that pays homage to Mozart’s immortal namesake. Composed in 2019, Study on Beethoven is the first in a projected cycle of string quartets that explore the Viennese master’s legacy.

Bios

Anne-Sophie Mutter

Anne-Sophie Mutter is a musical phenomenon. For 46 years, the virtuoso has been a fixture in all the world’s major concert halls, making her mark on the classical music scene as a ...

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Ye-Eun Choi

Ye-Eun Choi—first presented to the public in J. S. Bach’s Double Concerto with Anne-Sophie Mutter in 2007—has made outstanding debuts with the Orchestre National de France  ...

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Vladimir Babeshko

German violist Vladimir Babeshko is one of the most prominent soloists and chamber musicians of his generation. He has performed at the Lockenhaus, Schleswig-Holstein, Rheingau, ...

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Pablo Ferrández

A prize winner at the XV International Tchaikovsky Competition and a SONY Classical exclusive recording artist, Pablo Ferrández is a musician of stature. In March 2021, he released ...

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