City of Birmingham Symphony Orchestra
Performers
City of Birmingham Symphony Orchestra
Mirga Gražinyte-Tyla, Principal Guest Conductor
Sheku Kanneh-Mason, Cello
Program
ELGAR Cello Concerto in E Minor
THOMAS ADÈS The Exterminating Angel Symphony (NY Premiere, co-commissioned by Carnegie Hall)
DEBUSSY La mer
Encore:
J. S. BACH "Come, Sweet Death" (transcr. Sheku Kanneh-Mason)
Event Duration
The printed program will last approximately two hours, including one 20-minute intermission. Please note that there will be no late seating before intermission.Listen to Selected Works
At a Glance
This concert presents three highly original and contrasting works, two from the 20th century and one from the 21st that moved away from expected formulas and challenged audience expectations. In the Cello Concerto, Elgar jettisoned the expansive romanticism expected by his admirers for a new inwardness and intimacy, a mature style that darkened his sensibility in the shadow of World War I. In La mer, Debussy offers “symphonic sketches” of a mysterious and endlessly shifting seascape; Debussy rebelled against what he regarded as the overwrought orchestration and “pompous outbursts” of the Wagnerians, evoking a sea of half tints and delicate ripples. Like the sea itself—always a favorite subject for impressionist artists because of its great instability—the music is in a constant state of flux, often with several musical events operating simultaneously on separate rhythmic and dynamic levels. A different kind of instability is represented in Thomas Adès’s The Exterminating Angel Symphony (a New York premiere co-commissioned by Carnegie Hall), a tumultuous, compact rendering of scenes from his opera The Exterminating Angel, based on Luis Buñuel’s wild, witty, and disturbing surrealist film.