Event is Live
Carnegie Hall Presents

City of Birmingham Symphony Orchestra

Saturday, October 22, 2022 8 PM Stern Auditorium / Perelman Stage
Mirga Gražinytė-Tyla, Sheku Kanneh-Mason by Jake Turney
The City of Birmingham Symphony Orchestra’s distinctive program features an orchestral rendering drawn from Thomas Adès’s acclaimed opera The Exterminating Angel, based on Luis Buñuel’s surreal 1962 classic. Debussy’s La mer delights with its shimmering colors and dreamy harmonies, and Elgar’s melancholic Cello Concerto—written after the tragedy of the First World War—highlights the musicality of prodigiously talented cellist Sheku Kanneh-Mason.

Performers

City of Birmingham Symphony Orchestra
Mirga Gražinyte-Tyla, Principal Guest Conductor
Sheku Kanneh-Mason, Cello

Program

ELGAR Cello Concerto in E Minor

THOMAS ADÈS The Exterminating Angel Symphony (NY Premiere, co-commissioned by Carnegie Hall)

DEBUSSY La mer


Encore:

J. S. BACH "Come, Sweet Death" (transcr. Sheku Kanneh-Mason)

Event Duration

The printed program will last approximately two hours, including one 20-minute intermission. Please note that there will be no late seating before intermission.

Listen to Selected Works

Support for this concert is provided by The Horace W. Goldsmith Foundation.

At a Glance

This concert presents three highly original and contrasting works, two from the 20th century and one from the 21st that moved away from expected formulas and challenged audience expectations. In the Cello Concerto, Elgar jettisoned the expansive romanticism expected by his admirers for a new inwardness and intimacy, a mature style that darkened his sensibility in the shadow of World War I. In La mer, Debussy offers “symphonic sketches” of a mysterious and endlessly shifting seascape; Debussy rebelled against what he regarded as the overwrought orchestration and “pompous outbursts” of the Wagnerians, evoking a sea of half tints and delicate ripples. Like the sea itself—always a favorite subject for impressionist artists because of its great instability—the music is in a constant state of flux, often with several musical events operating simultaneously on separate rhythmic and dynamic levels. A different kind of instability is represented in Thomas Adès’s The Exterminating Angel Symphony (a New York premiere co-commissioned by Carnegie Hall), a tumultuous, compact rendering of scenes from his opera The Exterminating Angel, based on Luis Buñuel’s wild, witty, and disturbing surrealist film.

Bios

Mirga Gražinytė-Tyla

Mirga Gražinytė-Tyla was named music director of the City of Birmingham Symphony Orchestra (CBSO) in February 2016, following in the footsteps of Sir Simon Rattle, Sakari Oramo, and Andris ...

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Sheku Kanneh-Mason

Sheku Kanneh-Mason is already in great demand with major orchestras and at concert halls worldwide. He became a household name in 2018 after performing at the wedding of the Duke and ...

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City of Birmingham Symphony Orchestra

The City of Birmingham Symphony Orchestra (CBSO) is the flagship of musical life in Birmingham and the West Midlands, and one of the world’s great orchestras. Based in Symphony Hall, ...

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