Boston Symphony Orchestra
Performers
Boston Symphony Orchestra
Andris Nelsons, Music Director and Conductor
Gautier Capuçon, Cello
Program
RAVEL Alborada del gracioso
THIERRY ESCAICH Les Chants de l'aube, Concerto for Cello and Orchestra (NY Premiere)
RACHMANINOFF Symphony No. 2
Event Duration
The printed program will last approximately two hours, including one 20-minute intermission.Listen to Selected Works

At a Glance
French composer and organist Thierry Escaich brings the energy of dance to all of his music. In his new Boston Symphony Orchestra–commissioned concerto for French cellist Gautier Capuçon, he also wanted to explore lyricism and the transformation of melody. The cello is the nearly ever-present protagonist, linking the three movements with cadenzas that establish a new direction in the musical journey. The movements’ evocative titles—Des rayons et des ombres (Of Rays and Shadows, from Victor Hugo), Le rivage des chants (Riverbank of Songs), and Danse de l’aube (Dawn Dance)—indicate the changing moods navigated by the soloist and orchestra.
Maurice Ravel’s own brief “dawn piece,” Alborada del gracioso (Dawn Song of the Clown), is an orchestration of a piano work from his suite Miroirs. Alternating sparkling dance music and aching melancholy, this is one of Ravel’s many tributes to the music of Spain.
Completed in 1907, Rachmaninoff’s Symphony No. 2 dates from one of the most fertile periods in the composer’s life, during which he wrote his ever-popular Second and Third piano concertos, the symphonic poem The Isle of the Dead, and his Piano Sonata No. 1, and made his first tour to the US as a piano soloist. The symphony is Rachmaninoff’s perspective on the great Russian Romantic symphonic tradition—by this time somewhat outmoded—of Tchaikovsky, Rubinstein, and others, created with his own unmistakably lush melodies and ear for the coloristic capabilities of the modern orchestra.