Event is Live
Carnegie Hall Presents

The Philadelphia Orchestra

Friday, April 12, 2024 8 PM Stern Auditorium / Perelman Stage
Yannick Nézet-Séguin by Todd Rosenberg, Karen Cargill by Nadine Boyd
Experience a unique take on an all-Mahler program courtesy of The Philadelphia Orchestra. The concert begins with selected works by Alma Mahler performed with mezzo-soprano Karen Cargill, who audiences recently enjoyed as soloist in the orchestra’s performance of Beethoven’s Missa solemnis. Only a small number of Alma Mahler’s songs survive, and they are regrettably underperformed, although noteworthy both musically and historically. The orchestra then takes audiences on the symphonic journey that is Gustav Mahler’s Seventh, a monumental piece that reveals new interpretive shades with every performance.

Performers

The Philadelphia Orchestra
Yannick Nézet-Séguin, Music and Artistic Director
Karen Cargill, Mezzo-Soprano

Program

A. MAHLER Select Songs (arr. David and Colin Matthews)

G. MAHLER Symphony No. 7

Event Duration

The printed program will last approximately two hours, including one 20-minute intermission. Please note that there will be no late seating before intermission.

At a Glance

Tonight’s concert presents works by Alma and Gustav Mahler, who had a legendary and tumultuous marriage.

Alma Schindler—her name when she wrote the songs that open the program—composed most of her pieces as a teenager, before she married Mahler when she was 22. He demanded that she give up composing to concentrate on the marriage and his career. We hear the first four of her
Fünf Lieder in orchestrations by Colin and David Matthews.

Mahler began composing his Seventh Symphony during the unusually productive summer of 1904, just after completing his Sixth. He started with the evocative “Night Music” movements, eventually the second and fourth of the five-movement piece, but found himself creatively blocked when he tried to pick up the thread the following summer. Inspired by the sound of the oars of a boat, he eventually found a solution that allowed him to write the remaining three movements.

The Seventh, the last of Mahler’s trilogy of purely instrumental middle-period symphonies, has long been considered one of his most poetic, but also elusive, compositions. Unlike the overt programs and scattered clues that he provided for most of his earlier symphonies, Mahler said little about this fascinating piece, leaving a wide range of interpretations open to performers and audiences alike.

Bios

The Philadelphia Orchestra

The world-renowned Philadelphia Orchestra strives to share the transformative power of music with the widest possible audience, and to create joy, connection, and excitement through music ...

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Yannick Nézet-Séguin

Yannick Nézet-Séguin is currently in his 12th season with The Philadelphia Orchestra, serving as music and artistic director. An inspired leader, Yannick is both an ...

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Karen Cargill

Scottish mezzo-soprano Karen Cargill, winner of the 2002 Kathleen Ferrier Award, was nominated for a Grammy Award for Best Operatic Recording for Poulenc’s Dialogues des ...

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