Ensemble Connect
Performers
Ensemble Connect
Program
BONGANI NDODANA-BREEN Safika: Three Tales on African Migration
ANDILE KHUMALO Cry Out
DVOŘÁK Piano Quintet No. 2
Event Duration
The printed program will last approximately 65 minutes with no intermission.Salon Encores
Join us for a free drink at a post-concert reception in Weill Recital Hall’s Jacobs Room.
Learn More
Lead funding has been provided by Max H. Gluck Foundation, the Hearst Foundations, The Kovner Foundation, Phyllis and Charles Rosenthal, Edmond de Rothschild Family Philanthropy, Beatrice Santo Domingo, and Hope and Robert F. Smith.
Global Ambassadors: Michael ByungJu Kim and Kyung Ah Park, Hope and Robert F. Smith, and Maggie and Richard Tsai.
Additional support has been provided by the Kathi and Peter Arnow Foundation, Ronald E. Blaylock and Petra Pope, E.H.A. Foundation, Barbara G. Fleischman, Clive and Anya Gillinson, Stella and Robert Jones, Martha and Robert Lipp, Rockefeller Brothers Fund, Susan and Elihu Rose Foundation, Melanie and Jean E. Salata, The Morris and Alma Schapiro Fund, Sarah Billinghurst Solomon and Howard Solomon, Carlos Tome and Theresa Kim, and David S. Winter.
At a Glance
BONGANI NDODANA-BREEN Safika: Three Tales on African Migration
Bongani Ndodana-Breen, born in Queenstown, South Africa, is a composer whose music reflects deeply on the history and socio-political landscapes of his country. The displacement of Black people in apartheid South Africa—whether due to labor migration, the policy of reservation-like “homelands,” or political exile—is at the forefront of Safika: Three Tales on African Migration. Through the blending of traditional South African music and modernist techniques, Safika is a very literal representation of a country that still grapples with its colonial and apartheid past.
ANDILE KHUMALO Cry Out
The dialogue between southern Africa and modernist Western art music continues with Cry Out by Andile Khumalo. Following in the footsteps of his Columbia University mentor Tristan Murail, Khumalo’s music embodies a South African version of spectralism, where the timbral characteristics of musical sounds serve as an organizing feature of the work. However, Khumalo’s music isn’t an exercise in dry formalism. In terms of social critique, Cry Out offers an introspective lament on the horrors of the apartheid regime and the shadow it still casts over South Africa.
DVOŘÁK Piano Quintet No. 2 in A Major, Op. 81
Approximately 130 years separate Dvořák’s Piano Quintet No. 2 from the works of Ndodana-Breen and Khumalo, and yet the quintet is a composition that is also deeply involved in the blending of cultures. One of the great cornerstone works of the modern chamber repertoire, the quintet showcases Dvořák’s engagement with his own heritage: Themes and genres inspired by Czech folk music stand alongside the music-theoretical preoccupations of the late Romantics. The quintet finds Dvořák modelling the works of Beethoven, and in doing so, stands alongside the seminal quintets of Schubert, Robert Schumann, and Brahms.