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Carnegie Hall Presents

Ensemble Connect

Sunday, October 27, 2024 2 PM Weill Recital Hall
Ensemble Connect by Fadi Kheir
Ensemble Connect—“the new face of classical music for New York” (The New York Times)—kicks off its 2024–2025 season in Weill Recital Hall with a program featured in Carnegie Hall’s spotlight on the music of South Africa. The concert is bookended by a pair of stunning piano quintets: Bongani Ndodana-Breen’s Safika: Three Tales on African Migration and Dvořák’s Piano Quintet No. 2. Also featured is Andile Khumalo’s Cry Out, a notable work for viola, oboe, marimba, and piano. Together, these pieces suggest echoes of lives, songs, dances, and connections to a land that endure despite the forces of time and change.

Part of: Spotlight on the Music of South Africa

Performers

Ensemble Connect

Program

BONGANI NDODANA-BREEN Safika: Three Tales on African Migration

ANDILE KHUMALO Cry Out

DVOŘÁK Piano Quintet No. 2

Event Duration

The printed program will last approximately 65 minutes with no intermission.

Salon Encores

Join us for a free drink at a post-concert reception in Weill Recital Hall’s Jacobs Room.
Learn More

Ensemble Connect is a program of Carnegie Hall, The Juilliard School, and the Weill Music Institute in partnership with the New York City Department of Education. 

Lead funding has been provided by Max H. Gluck Foundation, the Hearst Foundations, The Kovner Foundation, Phyllis and Charles Rosenthal, Edmond de Rothschild Family Philanthropy, Beatrice Santo Domingo, and Hope and Robert F. Smith.

Global Ambassadors: Michael ByungJu Kim and Kyung Ah Park, Hope and Robert F. Smith, and Maggie and Richard Tsai.

Additional support has been provided by the Kathi and Peter Arnow Foundation, Ronald E. Blaylock and Petra Pope, E.H.A. Foundation, Barbara G. Fleischman, Clive and Anya Gillinson, Stella and Robert Jones, Martha and Robert Lipp, Rockefeller Brothers Fund, Susan and Elihu Rose Foundation, Melanie and Jean E. Salata, The Morris and Alma Schapiro Fund, Sarah Billinghurst Solomon and Howard Solomon, Carlos Tome and Theresa Kim, and David S. Winter.
Public support is provided by the New York City Department of Education. 
Ensemble Connect is also supported, in part, by endowment grants from The Kovner Foundation and the Estate of Eleanor Doblin Unger.
Carnegie Hall is proud and honored to have the endorsement of Desmond & Leah Tutu Legacy Foundation.

At a Glance

BONGANI NDODANA-BREEN  Safika: Three Tales on African Migration

Bongani Ndodana-Breen, born in Queenstown, South Africa, is a composer whose music reflects deeply on the history and socio-political landscapes of his country. The displacement of Black people in apartheid South Africa—whether due to labor migration, the policy of reservation-like “homelands,” or political exile—is at the forefront of Safika: Three Tales on African Migration. Through the blending of traditional South African music and modernist techniques, Safika is a very literal representation of a country that still grapples with its colonial and apartheid past.

 

ANDILE KHUMALO  Cry Out

The dialogue between southern Africa and modernist Western art music continues with Cry Out by Andile Khumalo. Following in the footsteps of his Columbia University mentor Tristan Murail, Khumalo’s music embodies a South African version of spectralism, where the timbral characteristics of musical sounds serve as an organizing feature of the work. However, Khumalo’s music isn’t an exercise in dry formalism. In terms of social critique, Cry Out offers an introspective lament on the horrors of the apartheid regime and the shadow it still casts over South Africa.

 

DVOŘÁK  Piano Quintet No. 2 in A Major, Op. 81

Approximately 130 years separate Dvořák’s Piano Quintet No. 2 from the works of Ndodana-Breen and Khumalo, and yet the quintet is a composition that is also deeply involved in the blending of cultures. One of the great cornerstone works of the modern chamber repertoire, the quintet showcases Dvořák’s engagement with his own heritage: Themes and genres inspired by Czech folk music stand alongside the music-theoretical preoccupations of the late Romantics. The quintet finds Dvořák modelling the works of Beethoven, and in doing so, stands alongside the seminal quintets of Schubert, Robert Schumann, and Brahms.

Bios

Ensemble Connect

Ensemble Connect was created in 2007 by Carnegie Hall’s Executive and Artistic Director Clive Gillinson and The Juilliard School’s President Joseph W. Polisi. Ensemble Connect is a two-year fellowship program for extraordinary young professional classical musicians residing in the US ...

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