Event is Live
Carnegie Hall Presents

Mitsuko Uchida, Piano
Musicians from Marlboro

Tuesday, November 12, 2024 7:30 PM Zankel Hall
Mitsuko Uchida and Musicians from Marlboro by Pete Checchia
One of today’s most insightful pianists, Mitsuko Uchida begins the final season of her Carnegie Hall Perspectives series with a concert that highlights her supreme sensitivity as a collaborator; dedication to developing extraordinary young talent; and thoughtful, varied programming. The performance comprises music by Beethoven, Robert Schumann, and György Kurtág, whose works Uchida is widely considered to be a master interpreter. It brings Uchida together with exceptional rising professionals from the renowned Marlboro Music Festival, which has introduced audiences to countless modern greats, and of which Uchida is an artistic director.

Part of: Mitsuko Uchida

Performers

Mitsuko Uchida, Piano
Musicians from Marlboro
- Stephanie Zyzak, Violin
- Beth Guterman Chu, Viola
- Oliver Herbert, Cello

Program

GYÖRGY KURTÁG "Play with Infinity" from Játékok, Book III

BEETHOVEN Piano Trio in E-flat Major, Op. 70, No. 2

GYÖRGY KURTÁG Selections from Signs, Games and Messages

R. SCHUMANN Piano Quartet

Event Duration

The printed program will last approximately 90 minutes, including one 20-minute intermission. Please note that there will be no late seating before intermission.

At a Glance

GYÖRGY KURTÁG  “Play with Infinity” from Játékok, Book III; Selections from Signs, Games and Messages

György Kurtág’s Játékok—the title means “games” in Hungarian—are playfully imaginative explorations of piano sound and technique, in the tradition of Bach’s Well-Tempered Clavier and Bartók’s Mikrokosmos. The miniature string trios in his Signs, Games and Messages have a similarly serious pedagogical purpose, reflecting Kurtág’s belief that composers should make use of “all that improvisational musical practice has ever brought forth.”

 

BEETHOVEN  Piano Trio in E-flat Major, Op. 70, No. 2

Composed in the summer of 1808, Beethoven’s two Op. 70 piano trios followed close on the heels of such exuberantly expansive works as the Fifth and Sixth symphonies and the Cello Sonata in A Major. E. T. A. Hoffmann likened their innovative sound world to a “spirit kingdom” in which “the enraptured soul listens to the unknown language and understands all the most secret allusions by which it has been aroused.”

 

R. SCHUMANN  Piano Quartet in E-flat Major, Op. 47

Schumann might have composed his Op. 47 Piano Quartet as a companion piece to his masterful and enormously popular Piano Quintet, Op. 44. Both works share the “warm” key of E-flat major, and both reflect his intense focus on small ensembles in 1842, which Schumann called his “chamber music year.” Clara Schumann pronounced the Piano Quartet “youthful and fresh.”

Bios

Mitsuko Uchida

One of the most revered artists of our time, Mitsuko Uchida is known as a peerless interpreter of the works of Mozart, Schubert, R. Schumann, and Beethoven, as well as a devotee of the ...

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Musicians from Marlboro

The Musicians from Marlboro touring program was created as an extension of Vermont’s Marlboro Music Festival, founded in 1951. Musicians from Marlboro tours are noted not only for ...

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Stephanie Zyzak

Violinist Stephanie Zyzak is quickly gaining a reputation as one of the most soulful and profound musicians of her generation. A deeply passionate chamber musician, she has been praised for  ...

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Beth Guterman Chu

Beth Guterman Chu is principal violist of the St. Louis Symphony Orchestra. A native of Belmont, Massachusetts, she was a member of the Chamber Music Society of Lincoln Center and, as a ...

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Oliver Herbert

Cellist Oliver Herbert is a concert artist with a rapidly growing international presence. The recipient of a 2021 Avery Fisher Career Grant, he is acclaimed for his natural musicianship. As  ...

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