Event is Live
Carnegie Hall Presents

Pavel Haas Quartet

Saturday, December 7, 2024 7:30 PM Weill Recital Hall
Pavel Haas Quartet by Petra Hajska
“If you haven't yet heard the Pavel Haas Quartet, buckle your seat belt,” wrote NPR after the quartet’s last appearance at Carnegie Hall. The most celebrated Czech string quartet of our time, which has been called “the world’s most exciting string quartet” by London’s The Times, now returns during the 2024 Year of Czech Music celebration. The ensemble performs an all-Czech program that opens with Josef Suk’s gorgeous Meditation on an Old Czech Hymn, “St. Wenceslas.” In honor of the bicentennial of Bedřich Smetana—the quintessential Czech composer who inspired the first Year of Czech Music in 1924—the quartet performs his autobiographical String Quartet No. 1, “From My Life.” The program closes with the gripping passion and longing of Leoš Janáček’s String Quartet No. 2, “Intimate Letters.”

Part of: Spotlight on the Year of Czech Music

Performers

Pavel Haas Quartet
- Veronika Jarůšková, Violin
- Marek Zwiebel, Violin
- Šimon Truszka, Viola
- Peter Jarůšek, Cello

Program

SUK Meditation on an Old Czech Hymn, "St. Wenceslas"

SMETANA String Quartet No. 1, "From My Life"

JANÁČEK String Quartet No. 2, "Intimate Letters"


Encore:

DVOŘÁK “Thou only dear one, but for thee (Moderato)” from Cypresses

Event Duration

The printed program will last approximately 90 minutes, including one 20-minute intermission. 

Salon Encores

Join us for a free drink at a post-concert reception in Weill Recital Hall’s Jacobs Room.
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Year of Czech Music

Carnegie Hall joins music lovers around the world for the 2024 Year of Czech Music, a decennial celebration that highlights legendary Czech composers.

This program features three gems of the Czech quartet literature, two of which have strong autobiographical elements. Filled with references to personal tragedy, but also enlivened by love songs and dance rhythms, Smetana’s String Quartet No. 1—subtitled “From My Life”—culminates in a final movement where one can arguably hear the tinnitus that announced his impending deafness as a high harmonic in the first violin. Janáček’s Second String Quartet, “Intimate Letters,” was intended as a love offering for Kamila Stösslová, a woman with whom he had been infatuated for more than a decade. Janáček wished to make this dedication public, but his biographer cautioned against it. Another oddity was that the composer wished to use the Baroque viola d’amore instead of the traditional viola as a symbol of his love. He was convinced, though, that it would severely limit the number of performances of the work.

One is always tempted to ask, “What makes Czech music Czech?” While answers may involve such things as accent patterns and dance rhythms, one possible explanation involves the use of historic melodies. Smetana famously used a 15th-century Hussite song in the final two movements of Má vlast, and here Suk crafts a quartet movement from the ancient “St. Wenceslas” hymn. Composed at the outset of the First World War, it is a powerful symbolic cry for the health and survival of the nation and for peace.

 

—Michael Beckerman

Bios

Pavel Haas Quartet

The Pavel Haas Quartet is revered around the globe for its richness of timbre, infectious passion, and intuitive rapport. Performing at the world’s most prestigious concert halls and the winner of five Gramophone Awards, the quartet is firmly established as one of the world’s foremost ...

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