Pavel Haas Quartet
Part of: Spotlight on the Year of Czech Music
Performers
Pavel Haas Quartet
- Veronika Jarůšková, Violin
- Marek Zwiebel, Violin
- Šimon Truszka, Viola
- Peter Jarůšek, Cello
Program
SUK Meditation on an Old Czech Hymn, "St. Wenceslas"
SMETANA String Quartet No. 1, "From My Life"
JANÁČEK String Quartet No. 2, "Intimate Letters"
Encore:
DVOŘÁK “Thou only dear one, but for thee (Moderato)” from Cypresses
Event Duration
The printed program will last approximately 90 minutes, including one 20-minute intermission.Salon Encores
Join us for a free drink at a post-concert reception in Weill Recital Hall’s Jacobs Room.
Learn More
Year of Czech Music
Carnegie Hall joins music lovers around the world for the 2024 Year of Czech Music, a decennial celebration that highlights legendary Czech composers.
This program features three gems of the Czech quartet literature, two of which have strong autobiographical elements. Filled with references to personal tragedy, but also enlivened by love songs and dance rhythms, Smetana’s String Quartet No. 1—subtitled “From My Life”—culminates in a final movement where one can arguably hear the tinnitus that announced his impending deafness as a high harmonic in the first violin. Janáček’s Second String Quartet, “Intimate Letters,” was intended as a love offering for Kamila Stösslová, a woman with whom he had been infatuated for more than a decade. Janáček wished to make this dedication public, but his biographer cautioned against it. Another oddity was that the composer wished to use the Baroque viola d’amore instead of the traditional viola as a symbol of his love. He was convinced, though, that it would severely limit the number of performances of the work.
One is always tempted to ask, “What makes Czech music Czech?” While answers may involve such things as accent patterns and dance rhythms, one possible explanation involves the use of historic melodies. Smetana famously used a 15th-century Hussite song in the final two movements of Má vlast, and here Suk crafts a quartet movement from the ancient “St. Wenceslas” hymn. Composed at the outset of the First World War, it is a powerful symbolic cry for the health and survival of the nation and for peace.
—Michael Beckerman