Carnegie Hall

The world-renowned Philadelphia Orchestra strives to share the transformative power of music with the widest possible audience, and to create joy, connection, and excitement through music in the Philadelphia region, across the country, and around the world. Through innovative programming, robust education initiatives, a commitment to its diverse communities, and the embrace of digital outreach, the ensemble is creating an expansive and inclusive future for classical music and furthering the place of the arts in an open and democratic society.

Yannick Nézet-Séguin is now in his 13th season with The Philadelphia Orchestra, serving as music and artistic director. His connection to the ensemble’s musicians has been praised by both concertgoers and critics. In addition to expanding the repertoire by embracing an ever-growing and diverse group of today’s composers, Yannick and the orchestra are committed to performing and recording the works of previously overlooked composers.

Your Philadelphia Orchestra takes great pride in its hometown, performing for the people of Philadelphia year-round, at the Kimmel Center for the Performing Arts and around the community, in classrooms and hospitals, and over the airwaves and online. The Kimmel Center has been the ensemble’s home since 2001, and in 2024 Verizon Hall at the Kimmel Center was officially rededicated as Marian Anderson Hall in honor of the legendary contralto, civil rights icon, and Philadelphian. The orchestra’s award-winning education and community initiatives engage more than 50,000 students, families, and community members of all ages through programs such as PlayINs; Our City, Your Orchestra Live; the Martin Luther King, Jr., Tribute Concert; School Concerts; open rehearsals; the School Partnership and School Ensemble programs; All-City Orchestra Fellowships; and residency work in Philadelphia and abroad.

Through concerts, tours, residencies, and recordings, the orchestra is a global ambassador and one of our nation’s greatest exports. It performs annually at Carnegie Hall, the Mann Center, the Saratoga Performing Arts Center, and the Bravo! Vail Music Festival. The orchestra also has a rich touring history, having first performed outside Philadelphia in its earliest days. In 1973, it was the first American orchestra to perform in the People’s Republic of China.

Under Yannick’s leadership, the orchestra returned to recording with 14 celebrated releases on the Deutsche Grammophon label, including the Grammy Award–winning Florence Price Symphonies Nos. 1 & 3. The orchestra also reaches thousands of radio listeners with weekly broadcasts on WRTI-FM and SiriusXM. For more information, please visit philorch.org.

Yannick Nézet-Séguin is currently in his 13th season with The Philadelphia Orchestra, serving as music and artistic director. An inspired leader, Yannick, who holds the Walter and Leonore Annenberg Chair, is both an evolutionary and a revolutionary, developing the mighty “Philadelphia Sound” in new ways. His collaborative style, deeply rooted musical curiosity, and boundless enthusiasm have been heralded by critics and audiences alike.

Yannick has established himself as a musical leader of the highest caliber and one of the most thrilling and sought-after talents of his generation. He became the third music director of New York’s Metropolitan Opera in 2018. In addition, he has been artistic director and principal conductor of Montreal’s Orchestre Métropolitain since 2000. In 2017, he became the third-ever honorary member of the Chamber Orchestra of Europe, and he served as music director of the Rotterdam Philharmonic Orchestra from 2008 to 2018 (he is now honorary conductor). He has made wildly successful appearances with the world’s most revered ensembles and at many of the leading opera houses.

Yannick has shown a deep commitment to expanding the repertoire by embracing an ever-growing and diverse group of today’s composers and by performing the music of underappreciated composers of the past. In 2018, he signed an exclusive recording contract with Deutsche Grammophon. Under his leadership, The Philadelphia Orchestra returned to recording with 14 releases on that label, including Florence Price Symphonies Nos. 1 & 3, which won a Grammy Award for Best Orchestral Performance.

A native of Montreal, Yannick studied piano, conducting, composition, and chamber music at Montreal’s Conservatory of Music and continued his studies with renowned conductor Carlo Maria Giulini; he also studied choral conducting with Joseph Flummerfelt at Westminster Choir College. Among Yannick’s honors are an appointment as Companion of the Order of Canada; Companion to the Order of Arts and Letters of Quebec; an Officer of the Order of Quebec; an Officer of the Order of Montreal; an Officier de l’Ordre des Arts et des Lettres; Musical America’s 2016 Artist of the Year; ECHO KLASSIK’s 2014 Conductor of the Year; a Royal Philharmonic Society Award; and honorary doctorates from the University of Quebec, Curtis Institute of Music, Westminster Choir College of Rider University, McGill University, University of Montreal, University of Pennsylvania, Laval University, and Drexel University. To read Yannick’s full bio, please visit philorch.org/conductor.

JUNO Award–winning and Grammy-nominated Canadian baritone Joshua Hopkins began his 2024–2025 season with a debut at the Semperoper Dresden as Figaro in Rossini’s The Barber of Seville, and returns later in the season as Papageno in Mozart’s The Magic Flute and Maximilian in Bernstein’s Candide. For his Berlin State Opera debut, he reprises the roles of Apollo and Angry Audience Member in Bernard Foccroulle’s Cassandra. He also returns to the Metropolitan Opera as Count Almaviva in Mozart’s The Marriage of Figaro, which will be featured on the Met’s Live in HD series in April.

In concert, Mr. Hopkins performs his most personal project, Songs for Murdered Sisters, with The Philadelphia Orchestra in its United States orchestral premiere; he also performs the piece with the Naples Philharmonic under Alexander Shelley. Written by composer Jake Heggie and author Margaret Atwood, Songs for Murdered Sisters was conceived by Mr. Hopkins in remembrance of his sister, Nathalie Warmerdam, to bring awareness to ending intimate partner violence. An acclaimed film of the piece, directed by James Niebuhr, is available on YouTube, and the JUNO-nominated digital album, released on Pentatone, is available on all streaming platforms. Mr. Hopkins also performs Beethoven’s Symphony No. 9 with Montreal’s Orchestre Métropolitain under Yannick Nézet-Séguin, and joins Manfred Honeck for performances with the Chicago Symphony Orchestra of Haydn’s Mass in Time of War and with the Pittsburgh Symphony Orchestra for Fauré’s Requiem and Handel’s Messiah. He made his Philadelphia Orchestra debut in 2014.

Mr. Hopkins appears regularly at the Metropolitan Opera, Lyric Opera of Chicago, Houston Grand Opera, Canadian Opera Company, and Santa Fe Opera, among others. His latest role debuts include Zurga in Bizet’s The Pearl Fishers at the Théâtre des Champs-Élysées with Les Grandes Voix; Cavaliere di Belfiore in Verdi’s Un giorno di regno at Garsington Opera; and Athanaël in a concert version of Massenet’s Thaïs with the Toronto Symphony Orchestra, conducted by Andrew Davis and recorded for Chandos Records, for which he won a JUNO Award. He created the role of Orpheus in the world premiere of Matthew Aucoin’s Eurydice for his debut at LA Opera and reprised the role at the Met.