Ensemble Connect
Performers
Ensemble Connect
Program
SCHUBERT "Quartettsatz" in C Minor, D. 703
KATHERINE BALCH musica spolia (arr. for chamber ensemble; NY Premiere, commissioned by Carnegie Hall)
KATHERINE BALCH musica nuvola (NY Premiere, commissioned by Carnegie Hall)
BERIO Ricorrenze for Wind Quintet
BEETHOVEN Septet in E-flat Major, Op. 20
Event Duration
The printed program will last approximately 100 minutes, including one 20-minute intermission.Salon Encores
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Learn More
Lead funding has been provided by Max H. Gluck Foundation, the Hearst Foundations, The Kovner Foundation, Phyllis and Charles Rosenthal, Edmond de Rothschild Family Philanthropy, Beatrice Santo Domingo, and Hope and Robert F. Smith.
Global Ambassadors: Michael ByungJu Kim and Kyung Ah Park, Hope and Robert F. Smith, and Maggie and Richard Tsai.
Additional support has been provided by the Kathi and Peter Arnow Foundation, Ronald E. Blaylock and Petra Pope, E.H.A. Foundation, Barbara G. Fleischman, Clive and Anya Gillinson, Stella and Robert Jones, Martha and Robert Lipp, Rockefeller Brothers Fund, Susan and Elihu Rose Foundation, Melanie and Jean E. Salata, The Morris and Alma Schapiro Fund, Sarah Billinghurst Solomon and Howard Solomon, Carlos Tome and Theresa Kim, and David S. Winter.
At a Glance
SCHUBERT “Quartettsatz” in C Minor, D. 703
This short but intensely expressive fast movement is all that remains of a string quartet that the 23-year-old Schubert left unfinished in 1820. Posthumously published 50 years later, the orphaned “Quartet Movement” looks ahead to the three great quartets of the composer’s maturity.
KATHERINE BALCH musica spolia; musica nuvola
Balch’s musica spolia was inspired by her meandering around Rome and the creative process of world building. Its companion piece, musica nuvola, sees a unified musical idea splinter into increasing complexity and individuality among the ensemble members.
BERIO Ricorrenze for Wind Quintet
In a series of 14 solo pieces titled Sequenza, composed between 1958 and 2002, Luciano Berio invited listeners to accompany him on “a journey of exploration through the unknown and known regions of instrumental articulation and color.” The same exploratory spirit infuses his 1985 wind quintet Ricorrenze, which the Italian composer dedicated to his soulmate Pierre Boulez.
BEETHOVEN Septet in E-flat Major, Op. 20
This high-spirited chamber piece for winds and strings has been an audience favorite since Beethoven’s time. Both in its instrumentation and multi-movement format, the E-flat–Major Septet is a throwback to the popular instrumental divertimenti of the earlier 18th century. In 1824, Schubert used it as the model for his F-Major Octet for Winds and Strings.