Carnegie Hall

For George and Sally.

Christopher Sieber’s Broadway credits include Death Becomes Her, Company, The Prom, Matilda, Pippin, La Cage aux Folles, Shrek the Musical (Tony, Drama Desk, Drama League, Outer Critics Circle nominations), Spamalot (Tony nomination and West End production), Chicago, Thoroughly Modern Millie, Into the Woods, Beauty and the Beast, and Triumph of Love. (There are a few more, but we’ll keep this short.) On television, he has been seen in Blue Bloods, Law & Order: Special Victims Unit, The Good Wife, The Good Fight, Elementary, Ed, Sex and the City, Pushing Daisies, It’s All Relative, Two of a Kind, and lots of daytime TV—Guiding Light, All My Children, Another World—where his many recurring characters never went anywhere ... Special thanks to Mark, Jim, Patrick, George, and Sally for creating this show.

James Hindman’s recent work includes The Exhibitionist (Theatre Aspen’s Solo Flights Grant Award) and Now Comes the Fun Part (The York Theatre Company). His one-character play What Doesn’t Kill You has been seen at New Jersey Repertory Company, the International Dublin Gay Theatre Festival (three Oscar Wilde nominations), 59E59 Theaters, and the Avignon Festival. His short film Oxygen was screened at the Indie Short Fest and IndieX Film Fest (Best Drama Short nomination). He has also penned Popcorn Falls (directed by Christian Borle), Pete ‘n’ Keely (Outer Critics Circle and Drama Desk nominations), The Audience (Drama Desk nomination), I Love New York (Bistro Award), Being Audrey (Transport Group Theatre Company, NEA Grant), A Christmas Survival Guide, The Gorges Motel, The Pin-Up Girls, and The Bikinis. As an actor, Hindman can currently be seen in Mystic Pizza at Paper Mill Playhouse. He has been in 11 Broadway and touring productions, as well as more than 20 films and television shows. A Terrence McNally Award finalist, Hindman’s plays have been developed and performed at Vineyard, Second Stage, Long Wharf, Walnut Street, Pittsburgh Public, Goodspeed, and Paper Mill Playhouse. He wants to thank David, Ettore, Steve, Mark, Patrick, Sally and George, Jenn and Chris, and his husband, John. Find him on Instagram: @James_hindman_nyc.

Mark Waldrop directed and provided special material for Bette Midler’s Divine Miss Millennium Tour. On Broadway, he directed Bea Arthur’s Tony-nominated Just Between Friends. His work has been seen and heard Off-Broadway in Howard Crabtree’s When Pigs Fly (Drama Desk, Outer Critics Circle, Obie awards), Pete ‘n’ Keely, NEWSical, Whatnot (Richard Rodgers Production Award), Hey, Love: The Songs of Mary Rodgers, Till Divorce Do Us Part, John Epperson’s My Deah, and two outings by the political satire troupe Capitol Steps. His regional credits include Gypsy starring Betty Buckley and Deborah Gibson (Paper Mill Playhouse), and productions of Little Shop of Horrors, Annie, The Producers, The Sound of Music, The King and I, Cinderella, The Little Mermaid, and Into the Woods. He has written and/or directed multiple editions of the Drama Desk Awards and the 92nd Street Y’s Lyrics & Lyricists series. He has also directed concert and cabaret performances for Sutton Foster, Brooke Shields, and many other moonlighting Broadway performers. An Ed Kleban Prize recipient, Waldrop is the longtime writer and lyricist of the Radio City Christmas Spectacular.

Patrick S. Brady was musical director, conductor, and vocal arranger of Broadway’s The Producers—winner of 12 Tony Awards, including Best Musical and Best Score, and a Grammy Award for Best Original Cast Album. He also served in the same capacity for the film version, in which he can be seen conducting the legendary “Springtime for Hitler” sequence. He was musical director, conductor, and vocal/dance arranger of Fosse (Tony Award for Best Musical). Other Broadway credits include The Will Rogers Follies, Nick & Nora, Crazy for You, King David, Big, Triumph of Love, and Young Frankenstein. Brady made his New York debut in 1989 as musical director, vocal arranger, and on-stage pianist and singer of the Off-Broadway revue Closer Than Ever. His regional credits include Walnut Street Theatre, Arena Stage, Actors Theatre of Louisville, Goodspeed Opera House, Williamstown Theatre Festival, and Berkshire Theatre Festival. He has arranged and conducted many solo albums for Broadway performers, including Rebecca Luker and Judy Kaye. He is currently a professor of musical theater at Shenandoah Conservatory in Winchester, Virginia.