Event is Live
Carnegie Hall Presents

The Cleveland Orchestra

Wednesday, March 19, 2025 8 PM Stern Auditorium / Perelman Stage
Franz Welser-Möst by Roger Mastroianni
Franz Welser-Möst leads the world-class Cleveland Orchestra in a pair of Russian symphonic masterpieces, starting with the folkloric magic of Pétrouchka. Stravinsky’s tragic, direct musical storytelling offers a powerful contrast to Tchaikovsky’s Fifth Symphony, a quintessentially Romantic work that grapples with questions of fate throughout its breathtaking journey from darkness to triumph.

Part of: Carnegie Hall Live on WQXR

Performers

The Cleveland Orchestra
Franz Welser-Möst, Music Director and Conductor

Program

STRAVINSKY Pétrouchka (1947 version)

TCHAIKOVSKY Symphony No. 5

Event Duration

The printed program will last approximately two hours, including one 20-minute intermission. Please note that there will be no late seating before intermission.

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At a Glance

In 1924, Igor Stravinsky lovingly referred to his compatriot Pyotr Ilyich Tchaikovsky as “the most Russian composer of all the musicians in my country.” Though Tchaikovsky had passed before the turn of the century and Stravinsky was by then fostering a more international—and expressively neutral—Neoclassical style, his admiration was still evident. Four years later, Stravinsky’s music for the 1928 ballet The Fairy’s Kiss would pay direct homage to the elder composer.

The 1911 ballet
Pétrouchka provides an aural bridge between Stravinsky’s early, more Russian-influenced style and his burgeoning modernist style, the latter of which would come to the forefront in the shocking rhythmic pulsations of The Rite of Spring two years later. Russian folk songs still abound throughout this melodious score, as do moments of intense, biting dissonance (particularly in the music that depicts the lovesick puppet Pétrouchka).

Tchaikovsky’s Fifth Symphony, on the other hand, represents the pinnacle of Russian Romanticism, a dramatic work that opens in stormy introspection, winding through a tumultuous emotional landscape before arriving at a triumphant end point. Tchaikovsky was not convinced by the work at first—“There is something so repellent about such excess, insincerity, and artificiality,” he wrote—but he later came around, and it is now celebrated as one of his greatest creations.

To hear both of these composers on the same program is to hear two opposite yet interconnected poles of Russian symphonic music—one which revels in the sounds of a bygone era, the other which looks eagerly toward the future.

—Kevin McBrien

Bios

The Cleveland Orchestra

Now firmly in its second century, The Cleveland Orchestra, under the leadership of Franz Welser-Möst since 2002, is one of the most sought-after performing ensembles in the world. Year  ...

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Franz Welser-Möst

For 23 years, Franz Welser-Möst has shaped an unmistakable sound culture as music director of The Cleveland Orchestra. Under his leadership, the orchestra has been repeatedly praised ...

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