Ensemble Connect
Part of: Gabriela Ortiz
Performers
Ensemble Connect
Program
GABRIELA ORTIZ Denibée-Yucuñana
MARTINŮ Nonet, H. 374
MOZART String Quintet in C Major, K. 515
Event Duration
The printed program will last approximately 90 minutes, including one 20-minute intermission.Salon Encores
Join us for a free drink at a post-concert reception in Weill Recital Hall’s Jacobs Room.
Learn More
Lead funding has been provided by Max H. Gluck Foundation, the Hearst Foundations, The Kovner Foundation, Phyllis and Charles Rosenthal, Edmond de Rothschild Family Philanthropy, Beatrice Santo Domingo, and Hope and Robert F. Smith.
Global Ambassadors: Michael ByungJu Kim and Kyung Ah Park, Hope and Robert F. Smith, and Maggie and Richard Tsai.
Additional support has been provided by the Kathi and Peter Arnow Foundation, Ronald E. Blaylock and Petra Pope, E.H.A. Foundation, Barbara G. Fleischman, Clive and Anya Gillinson, Stella and Robert Jones, Martha and Robert Lipp, Rockefeller Brothers Fund, Susan and Elihu Rose Foundation, Melanie and Jean E. Salata, The Morris and Alma Schapiro Fund, Sarah Billinghurst Solomon and Howard Solomon, Carlos Tome and Theresa Kim, and David S. Winter.
At a Glance
GABRIELA ORTIZ Denibée-Yucuñana
Mexican composer Gabriela Ortiz is known for her colorful, vibrantly rhythmic scores that combine elements of European classical music with Latin American folk idioms. Her Denibée-Yucuñana was inspired by Oaxacan artist Rufino Tamayo, who created, in the composer’s words, “a world of color with a profoundly Mexican essence.”
MARTINŮ Nonet, H. 374
Bohuslav Martinů became a convert to Stravinskyan Neoclassicism as an expatriate living in Paris between the world wars. Written shortly before his death in 1959, the energetic Nonet for winds and strings is characterized by the Czech composer’s trademark motor rhythms, controlled dissonances, and long-breathed lyricism.
MOZART String Quintet in C Major, K. 515
Mozart’s string quintets are widely considered the acme of his achievement in the chamber music field. Scored for string quartet plus a second viola, the C-Major Quintet is the second of his six works for this combination of instruments. Although sales were disappointing when Mozart first offered the score to the public on a subscription basis, K. 515 quickly became popular with audiences and players alike.