Event is Live
Carnegie Hall Presents

Boston Symphony Orchestra

Wednesday, April 23, 2025 8 PM Stern Auditorium / Perelman Stage
Andris Nelsons by Marco Borggreve, Mitsuko Uchida by Justin Pumfrey / Decca
The incomparable Mitsuko Uchida—one of the most intuitive Beethoven interpreters of our time—concludes a historic, three-year Perspectives series at Carnegie Hall with the sublime Piano Concerto No. 4, performing as soloist alongside Andris Nelsons and the Boston Symphony Orchestra (BSO). Music fans will also be eager to hear Nelsons and the BSO perform a symphony by Shostakovich, following their eight-year, wildly acclaimed, and multi-Grammy–winning recording cycle of the composer’s complete symphonies. For this performance, they’ve selected Shostakovich’s final symphony, a subversive work full of quotations and references, animated throughout by its great diversity and sense of momentum.

Part of: Mitsuko Uchida

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Performers

Boston Symphony Orchestra
Andris Nelsons, Music Director and Conductor
Mitsuko Uchida, Piano

Program

BEETHOVEN Piano Concerto No. 4

SHOSTAKOVICH Symphony No. 15

Event Duration

The printed program will last approximately 100 minutes, including one 20-minute intermission. Please note that there will be no late seating before intermission.

Listen to Selected Works

Learn More About the Boston Symphony Orchestra

Nomura 100 Years
This performance is sponsored by Nomura.
Support for this program is provided by the Morris and Alma Schapiro Fund.

At a Glance

One of the great Beethoven pianists of our era, Mitsuko Uchida performs the composer’s Piano Concerto No. 4, the most lyrical of his five piano concertos. Completed in summer 1806 in the wake of revisions of his opera Leonore, the concerto shares with the Fourth Symphony and the Violin Concerto a warmth and expansiveness that contrasts with the composer’s stormier, more outwardly heroic music. The Fourth Concerto’s innovative opening—a few quiet chords for piano alone—is bold in its restraint, an unexpected prologue to the brilliance and virtuosity that follow in the substantial first movement. The second movement purportedly places the piano in the role of gentle Orpheus calming the Furies of the orchestra; whether Beethoven’s idea or not, the analogy is clear. The finale’s militaristic main theme suggests victorious celebration.

The Boston Symphony Orchestra and Andris Nelsons mark the 50th anniversary of Shostakovich’s death with the composer’s enigmatic, elegiac final symphony, No. 15. Pure Shostakovich in its sound—searching melodies, wild contrasts between ironic bombast and mourning—the symphony also distinctly quotes from music of the past, including Rossini’s
William Tell Overture and music from Wagner’s Ring operas and Tristan und Isolde, while also containing veiled references to his own earlier work.

Bios

Andris Nelsons

In the 2024–2025 season, Andris Nelsons celebrates 10 years as the Boston Symphony Orchestra’s Ray and Maria Stata Music Director. Mr. Nelsons became the 15th music director in ...

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Mitsuko Uchida

One of the most revered artists of our time, pianist Mitsuko Uchida is known as a peerless interpreter of the works of Mozart, Schubert,
R. Schumann, and Beethoven, as well as a devotee of ...

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