NYO-USA Audition Excerpts
Please see below for a list of required excerpts by instrument for NYO-USA’s 2024 application. We have significantly revised the excerpt lists this year to be more inclusive of contemporary and non-European composers. This has delayed the date by which we will be able to share sheet music to approximately July 24, 2023. Thank you for your patience.
As always, if you are unfamiliar with any of the works, or with performing excerpts in general, we encourage you to listen to recordings of the pieces and bring the excerpts to your private instructors or ensemble leaders for their input.
Violin
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Rimsky-Korsakov: Scheherazade, first movement, opening solo, and second movement, rehearsal O–five bars after rehearsal P
Mozart: Symphony No. 39, first movement, bar 26 (Allegro)–bar 97, and second movement, bars 1–8
Price: Symphony No. 3, third movement (Juba), bars 62–93
Viola
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Arturo Márquez: Danzón No. 2, bars 34–48
Bartok: Concerto for Orchestra, fourth movement, bar 42–60 (replacing the originally announced Barber First Symphony)
Brahms: Variations on a Theme by Haydn, Variation V, beginning–H (top line only), and Variation VII (whole variation with no repeats)
Cello
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Brahms: Symphony No. 3, third movement, beginning–bar 39
Mozart: Symphony No. 41, first movement, bars 133–153
Jessie Montgomery: Starburst, beginning–bar 28
Rimsky-Korsakov: Scheherazade, first movement, seven bars after rehearsal F–four bars before rehearsal G (solo)
Bass
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Brahms: Symphony No. 1, rehearsal E–bar 189 (use the second ending)
Jessie Montgomery: Coincident Dances, beginning–rehearsal 12, and bars 16–20
Mozart: Symphony No. 39, first movement, 14 measures before rehearsal A–rehearsal C
Flute
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John Williams: Hagrid’s Friendly Bird
Bellini: “Casta Diva” (solo) from Norma
Rimsky-Korsakov: Scheherazade, first movement, five bars before rehearsal G–fifth bar of rehearsal L
Debussy: Prélude à l'après-midi d’un faune, first four bars and rehearsal 2–rehearsal 3
PICCOLO (Optional)
Rossini: Overture to Semiramide, five bars after rehearsal G–two bars after rehearsal H
Oboe
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Barber: First Symphony, Andante tranquillo–rehearsal 36
Rossini: Overture to La scala di seta, beginning–rehearsal 3
Ginastera: Variaciones concertantes, Variation VI, third bar of rehearsal 39–one bar before rehearsal 43
ENGLISH HORN (Optional)
Berlioz: Le carnaval romain, beginning–three bars after rehearsal 1
Clarinet
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Rimsky-Korsakov: Scheherazade, second movement, cadenza F–G, and third movement, one bar before rehearsal G–four bars before rehearsal I
Gershwin: Rhapsody in Blue, beginning–rehearsal 2
Beethoven: Symphony No. 6, second movement, one bar before rehearsal D–one bar before rehearsal E
E-FLAT CLARINET (Optional)
Ravel: Boléro, three measures after rehearsal 3–rehearsal 4
BASS CLARINET (Optional)
R. Strauss: Don Quixote, rehearsal 72–rehearsal 74
Bassoon
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Rimsky-Korsakov: Scheherazade, second movement, Andantino–rehearsal A and rehearsal L–rehearsal M
Mozart: Overture to The Marriage of Figaro, bars 101–123 and bars 139–171
Dukas: The Sorcerer’s Apprentice, rehearsal 7–rehearsal 8
CONTRABASSOON (Optional)
Beethoven: Symphony No. 5, fourth movement, beginning–rehearsal A
Horn
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Price: Symphony No. 1, third movement, bars 80–97 (third horn), and fourth movement, bars 97–105 (first horn)
Ginastera: Variaciones concertantes, Variation IX, bars 56–58
Shostakovich: Symphony No. 5, first movement, rehearsal 17–one measure after rehearsal 21 (first horn)
Wagner: “Siegfried’s Short Call” from Götterdämmerung
Trumpet
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Donizetti: Don Pasquale, Prelude to Act II
Price: Symphony No. 1, second movement, beginning–bar 28
G. Mahler: Symphony No. 5, first movement, opening solo
Beethoven: Leonore Overture No. 2, Solo
Trombone
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Bernstein: Symphonic Dances from West Side Story, “Mambo,” bars 498–541 and “Cool,” bars 664–701
Mozart: “Tuba mirum” from Requiem
Berlioz: Hungarian March from La Damnation de Faust, second trombone, six bars before rehearsal 20–two bars after rehearsal 21
**The Barber excerpt is no longer part of the audition requirements.
Bass Trombone
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Berlioz: La damnation de Faust, “Hungarian March”: six before rehearsal 4–two after rehearsal 5 (replacing the originally announced Tilson Thomas: From the Diary of Anne Frank)
Haydn: The Creation, No. 26 and beginning–rehearsal C
R. Schumann: Symphony No. 3, fourth movement, beginning–13 bars after rehearsal A
Tuba
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Jennifer Higdon: Percussion Concerto, bars 142–148 and bars 269–277
Berlioz: Hungarian March from La damnation de Faust, rehearsal 4–two bars after rehearsal 5
Prokofiev: Symphony No. 5, first movement, rehearsal 3–rehearsal 6
Timpani and Percussion
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Timpani
Carlos Simon: Tales: A Folklore Symphony, III. Go Down Moses, bars 255–267
Hindemith: Symphonic Metamorphosis after Themes by Carl Maria von Weber, second movement, rehearsal S–rehearsal T and two bars before rehearsal Z–end
Xylophone
Price: Symphony No. 3, third movement (Juba), bars 151–165
Snare Drum
Timothy Adams: “Small Talk,” first page
Rimsky-Korsakov: Scheherazade, third movement, rehearsal D–rehearsal E, and fourth movement, rehearsal P–rehearsal U (condense rests from 16 to 4 between R and S)
Glockenspiel
Dukas: The Sorcerer’s Apprentice, rehearsal 17–rehearsal 20 and rehearsal 22–rehearsal 24
Tambourine
Dvořák: Carnival Overture, opening–rehearsal C
Harp
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Rimsky-Korsakov: Scheherazade, Mvt 2, Q to end (replacing the original Barber excerpt)
Ravel: Tzigane, rehearsal 4–rehearsal 5 and rehearsal 12–eight bars after rehearsal 13
Verdi: Overture to La forza del destino
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