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NYO-USA Audition Excerpts

Please see below for a list of required excerpts by instrument for NYO-USA’s 2025 application.

As always, if you are unfamiliar with any of the works, or with performing excerpts in general, we encourage you to listen to recordings of the pieces and bring the excerpts to your private instructors or ensemble leaders for their input.

Violin

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Felix Mendelssohn: Symphony No. 4, first movement, beginning–measure 51
Mozart: Symphony No. 39, second movement, measures 1–8 (with repeat) and measures 30–38
Price: Symphony No. 3, third movement (Juba), measures 62–93
Rachmaninoff: Symphony No. 2, second movement, fugue: 15 bars after rehearsal 32–4 bars before rehearsal 35 (second violin)

Viola

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Reena Esmail: Testament, from Vishwas, measures 38–70
Rachmaninoff: Symphony No. 2, second movement, rehearsal 33–rehearsal 34 and 4 measures before rehearsal 35–12 measures after rehearsal 36
Tchaikovsky: Symphony No. 6, first movement, measures 19–63 and 86–88

Cello

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Beethoven: Symphony No. 5, third movement, measures 1–79 and 141–218 (top line when divided, play the repeat)
Ginastera: Variaciones Concertantes, beginning–3 measures after rehearsal 1
Mozart: Symphony No. 35, fourth movement, measure 134–rehearsal E
Rachmaninoff: Symphony No. 2, first movement, upbeat to rehearsal 6 to 5 measures after rehearsal 8

Bass

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Haydn: Symphony No. 31, fourth movement, Variation VII
Jessie Montgomery: Coincident Dances, beginning–rehearsal 12 and measures 17–20
Mozart: Symphony No. 40, first movement, pick up to measure 115–138
Wagner: Die Meistersinger Overture, measure 158–end

Flute

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Beethoven: Leonore Overture No. 3, measures 328–360
Bellini: “Casta Diva” (solo) from Norma
R. Strauss: Salome, “Dance of the Seven Veils,” rehearsal D–three measures after rehearsal H
John Williams: Hagrid’s Friendly Bird

PICCOLO
Ippolitov-Ivanov: Caucasian Sketches, Suite No. 1, “Procession of the Sardar,” measures 3–17

Oboe

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Ginastera: Variaciones concertantes, Variation VI, 3 measures after rehearsal 39–1 measure before rehearsal 43
Felix Mendelssohn: Symphony No. 3, second movement, measures 32–67
Rossini: Overture to La scala di seta, beginning–rehearsal 3

ENGLISH HORN
Dvořák: Symphony No. 9, second movement, measures 7–18

Clarinet

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Debussy: Prélude à l'après-midi d'un faune, rehearsal 3–4 and rehearsal 6–5 measures after rehearsal 7 (top line)
Felix Mendelssohn: Symphony No. 3, second movement, measures 8 – 56
Rachmaninoff: Symphony No. 2, third movement, beginning to 2 measures after rehearsal 47

E-FLAT CLARINET
Berlioz: Symphonie fantastique, “Hexensabbat,” rehearsal 63–6 measures after rehearsal 64

BASS CLARINET
Grofe: The Grand Canyon Suite, “On the trail,” 8 measures before rehearsal 3–Vivo

Bassoon

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Brahms: Violin Concerto, second movement: Adagio, measures 1–32 (bassoon 2)
Mozart: Overture to The Marriage of Figaro, measures 101–123 and 139–171
Ravel: Boléro, rehearsal 2–rehearsal 3

CONTRABASSOON
Shostakovich: Symphony No. 5, second movement, rehearsal 65–9 measures after rehearsal 68

Horn

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Beethoven: Symphony No. 3, third movement, Trio: measures 171–202 (first and second horns)
Price: Symphony No. 1, third movement, measures 80–97 (third horn), and fourth movement, measures 97–105 (first horn)
R. Strauss: Till Eulenspiegels lustige Streiche, 9 measures before rehearsal 31–2 measures after rehearsal 33
Tchaikovsky: Symphony No. 5, second movement, beginning–16 measures before rehearsal B

Trumpet

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Copland: Outdoor Overture, measures 16–34
Mussorgsky: Pictures at an Exhibition, “Promenade”
Price: Symphony No. 1, second movement, beginning–measure 28
Tchaikovsky: Swan Lake, Neopolitan Dance, beginning – rehearsal 2

Trombone

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Ravel: L’enfant et les sortilèges, rehearsal 33–rehearsal 35
Rossini: Overture to Guillaume Tell, rehearsal C–9 measures after rehearsal D
Saint-Saëns: Symphony No. 3, first movement, rehearsal Q–2 measures before rehearsal R

Bass Trombone

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Haydn: The Creation, No. 26 and beginning–rehearsal C
R. Schumann: Symphony No. 3, fourth movement, beginning–13 measures after rehearsal A
Wagner: Das Rheingold, Scene IV: “Entrance of the Gods to Valhalla”

Tuba

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Jennifer Higdon: Percussion Concerto, measures 142–148 and measures 269–277
Rachmaninoff: Symphony No. 2, second movement, 17 measures before rehearsal 36–7 measures after rehearsal 36
Wagner: Overture to Die Meistersinger von Nürnberg, rehearsal J–rehearsal L

Timpani and Percussion

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Marimba

Solo of your choice

Timpani

Carlos Simon: Tales: A Folklore Symphony, third movement: “Go Down Moses,” measures 255–267
G. Mahler: Symphony No. 7, fifth movement, rehearsal 223–rehearsal 225

Xylophone

Price: Symphony No. 3, third movement (Juba), measures 151–165

Snare Drum

Timothy Adams: “Small Talk,” first page
Prokofiev: Peter and the Wolf, rehearsal 49–rehearsal 51

Glockenspiel

Dukas: The Sorcerer’s Apprentice, rehearsal 17–rehearsal 20 and rehearsal 22–rehearsal 24

Tambourine

Bizet: “Aragonaise” from Carmen, Suite No. 1, beginning–17 measures after rehearsal B

Cymbals

Dvořák: Scherzo capriccioso, Op.66, rehearsal Q–end

Harp

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Berlioz: Symphonie fantastique, second movement, beginning–4 measures after rehearsal 23
Debussy: Prélude à l'après-midi d'un faune, rehearsal 2–rehearsal 4 and 5 measures after rehearsal 7–5 measures before rehearsal 8
Verdi: Overture to La forza del destino, rehearsal G–rehearsal H

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Major funding has been provided by Veronica Atkins, Mercedes T. Bass, Ronald E. Blaylock and Petra Pope, Lorraine Buch Fund for Young Artists, Estate of Joan Eliasoph, Clive and Anya Gillinson, The Carl Jacobs Foundation, Pershing Square Philanthropies, Melanie and Jean E. Salata, JMCMRJ Sorrell Foundation, and the Victor and William Fung Foundation.
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