NYO2 Audition Excerpts
Please see below for a list of required excerpts by instrument for NYO2’s 2025 application.
As always, if you are unfamiliar with any of the works, or with performing excerpts in general, we encourage you to listen to recordings of the pieces and bring the excerpts to your private instructors or ensemble leaders for their input.
Violin
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Felix Mendelssohn: Symphony No. 4, first movement, beginning–measure 51
Price: Symphony No. 3, third movement (Juba), measures 1–16
Viola
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Reena Esmail: Testament, from Vishwas, measures 38–70
Tchaikovsky: Symphony No. 6, first movement, measures 19–63 and 86–88
Cello
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Beethoven: Symphony No. 5, third movement, measures 1–79 and 141–218
Brahms: Symphony No. 2, second movement, beginning–rehearsal A
Valerie Coleman: Umoja, measures 475–509
Bass
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Jessie Montgomery: Coincident Dances, beginning–measure 12 and measures 17–20
Wagner: Die Meistersinger Overture, measures 158–end
Flute
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Bellini: “Casta Diva” (solo) from Norma
Dvořák: Symphony No. 8, fourth movement, rehearsal D–rehearsal E (with repeats)
PICCOLO
Ippolitov-Ivanov: Caucasian Sketches, Suite No. 1, “Procession of the Sardar,” measures 3–17
Oboe
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Ginastera: Variaciones concertantes, Variation VI, third bar of rehearsal 39–one bar before rehearsal 43
Felix Mendelssohn: Symphony No. 3, second movement, measures 32–67
ENGLISH HORN
Dvořák: Symphony No. 9, second movement, measure 7–18
Clarinet
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Kodály: Dances of Galánta, measures 31–65
Felix Mendelssohn: Symphony No. 3, second movement, measures 8–56
E-FLAT CLARINET
Berlioz: Symphonie fantastique, “Hexensabbat,” rehearsal 63–6 measures after rehearsal 64
BASS CLARINET
Grofe: The Grand Canyon Suite, “On the trail,” 8 measures before rehearsal 3–Vivo
Bassoon
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Mozart: Overture to The Marriage of Figaro, measures 101–123 and 139–171
Tchaikovsky: Symphony No. 4, second movement, measure 274–end
CONTRABASSOON
Shostakovich: Symphony No. 5, second movement, rehearsal 65–9 measures after rehearsal 68
Horn
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Price: Symphony No. 1, third movement, measures 80–97 (third horn) and fourth movement, measures 97–105 (first horn)
R. Strauss: Till Eulenspiegels lustige Streiche, measures 6 - 20
Tchaikovksy: Symphony No. 5, second movement, beginning–16 measures before rehearsal B
Trumpet
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Copland: An Outdoor Overture, measures 16–34
Price: Symphony No. 1, second movement, beginning–measure 28
Tchaikovsky: Swan Lake, Neopolitan Dance, beginning to rehearsal 2
Trombone
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Bernstein: Symphonic Dances from West Side Story, “Mambo,” measures 498–541
Rossini: Overture to Guillaume Tell, rehearsal C to 9 measures after rehearsal D
Saint-Saëns: Symphony No. 3, first movement, rehearsal Q–2 measures before rehearsal R
Bass Trombone
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Haydn: The Creation, No. 26 and beginning–rehearsal C
R. Schumann: Symphony No. 3, fourth movement, beginning–13 measures after rehearsal A
Wagner: Das Rheingold, Scene IV: “Entrance of the Gods to Valhalla”
Tuba
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Revueltas: Sensemaya, opening solo (first page)
Wagner: Overture to Die Meistersinger von Nürnberg, rehearsal J–rehearsal L
Timpani and Percussion
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Marimba
Solo of your choice
Timpani
G. Mahler: Symphony No. 7, fifth movement, rehearsal 223–rehearsal 225
Snare Drum
Timothy Adams: “Small Talk,” first page
Xylophone
Price: Symphony No. 3, third movement (Juba), measures 151–165
Glockenspiel
Dukas: The Sorcerer’s Apprentice, rehearsal 17–rehearsal 20 and rehearsal 22–rehearsal 24
**You may choose either the tambourine or cymbals excerpt**
Cymbals
Dvořák: Scherzo capriccioso, Op.66, rehearsal Q–end
Tambourine
Bizet: “Aragonaise” from Carmen, Suite No. 1, beginning–17 measures after rehearsal B
Harp
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Berlioz: Symphonie fantastique, second movement, beginning–4 measures after rehearsal 23 and 12 measures before rehearsal 29 –4 measures after rehearsal 29
Verdi: Overture to La forza del destino, rehearsal G–rehearsal H