Leonidas Kavakos, Violin
Yuja Wang, Piano
Part of: Leonidas Kavakos and Carnegie Hall Live on WQXR
Performers
Leonidas Kavakos, Violin
Yuja Wang, Piano
Program
J. S. BACH Violin Sonata in E Major, BWV 1016
BUSONI Violin Sonata No. 2
SHOSTAKOVICH Violin Sonata
Encore:
STRAVINSKY Movement V (Dithyrambe) from Duo Concertant
Event Duration
The printed program will last approximately 90 minutes with no intermission.Listen to Selected Works
At a Glance
J. S. BACH Violin Sonata No. 3 in E Major, BWV 1016
It was during his six happy years in the employ of Prince Leopold of Anhalt-Cöthen that Bach wrote much of his most beloved instrumental music, including the “Brandenburg” Concertos, the solo suites and sonatas for unaccompanied violin and cello, and the sonatas for violin and keyboard, BWV 1014–1019. All were grouped in sets of six, which the systematic composer evidently intended to illustrate various genres of chamber music.
BUSONI Violin Sonata No. 2 in E Minor, Op. 36a
Busoni was a lifelong student and admirer of Bach’s contrapuntal mastery. He likened the Baroque master’s music to “an old, sturdy oak-tree … that continues to put forth the greenest and freshest of shoots.” A case in point is Busoni’s Second Violin Sonata, whose monumental finale is a set of variations based on a Bach chorale, topped off with an intricately contrapuntal fugue. The sonata was a pivotal work in the career of the 42-year-old composer, who considered it his true Opus 1.
SHOSTAKOVICH Violin Sonata, Op. 134
Composed in 1968, Shostakovich’s Violin Sonata has much in common with his youthful, high-spirited Cello Sonata of 1934 and the elegiac Viola Sonata of 1975. At the same time, the score features two notable distinctive elements: It marks Shostakovich’s first use of 12-note melodies and his last use of the Baroque passacaglia form. In its marriage of old and new, the work illustrates Shostakovich’s advice to his fellow musicians: “By building bridges into the future, we must take care not to burn the bridges connecting today’s culture to its immortal past.”