Event is Live
Carnegie Hall Presents

Vienna Philharmonic Orchestra

Sunday, February 27, 2022 2 PM Stern Auditorium / Perelman Stage

Please note that Yannick Nézet-Séguin will conduct the Vienna Philharmonic Orchestra in place of Valery Gergiev. The program remains unchanged.

Yannick Nézet-Séguin by Hans van der Woerd
Prokofiev’s Romeo and Juliet—his first large-scale ballet—deftly embraces the essence of Shakespeare’s tragedy. The balcony scene’s sweet lyricism and the driving rhythms propelling the fights between the rival families excite with cinematic power. Tchaikovsky’s symphony has a turbulent heart and meditates on death without being maudlin. It roils with emotion in its opening, dances and marches in the inner movements, and says a poetic farewell to life in a heart-wrenching finale. 

Performers

Vienna Philharmonic Orchestra
Yannick Nézet-Séguin, Conductor

Program

PROKOFIEV Selections from Romeo and Juliet

TCHAIKOVSKY Symphony No. 6, "Pathétique"

Event Duration

The printed program will last approximately two hours, including one 20-minute intermission.
Major support for this concert is provided by the Audrey Love Charitable Foundation.
The Vienna Philharmonic Residency at Carnegie Hall is made possible by a leadership gift from the Mercedes T. Bass Charitable Corporation.
Rolex is the Exclusive Partner of the Vienna Philharmonic.

At a Glance

This concert presents two contrasting works by Russian masters, one from the 19th century, the other from the 20th. Prokofiev’s Romeo and Juliet, written mid-career, is a kaleidoscopic compilation of the composer’s many styles, from delicately neoclassical to crushingly dissonant. There is plenty of passion, as befits its subject, but Prokofiev inserts his own acrid irreverence, reflecting Shakespeare’s vision of young love assaulted by harsh reality. Critics thought the music too cold and lacking sensuality, and Prokofiev had to fight for six years starting in 1934 to get his “undanceable” ballet produced in Russia. Nonetheless, this massive score has always been popular as concert music, offering tremendous color, variety, and a Wagnerian tissue of motifs that represent not only specific characters, but also their thoughts and fantasies. Tchaikovsky’s “Pathétique” Symphony, his final work, is more emotionally unified. It is his darkest symphony, heralding a new emotional honesty. It embraces despair rather than heroically struggling against it, as with his Fourth and Fifth symphonies. Yet it has Tchaikovsky’s unmistakable sound, his uninhibited Russianness, and his incomparable gift for melody. Typical of Tchaikovsky’s composition process, it cost him considerable angst in its creation, although he came to regard it as his best and “most sincere” creation. At one point, he contemplated destroying the finale, perhaps his most powerful and original symphonic movement. In keeping with Tchaikovsky’s bad luck, the symphony was received indifferently at its 1893 premiere, but was enthusiastically embraced at subsequent performances a month later—right after his sudden, tragic death. Despite its profound melancholy, it has been popular ever since.

Bios

Yannick Nézet-Séguin

Yannick Nézet-Séguin is music director of The Philadelphia Orchestra and the Metropolitan Opera. His intensely collaborative style, deeply rooted musical curiosity, and ...

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Vienna Philharmonic Orchestra

There is perhaps no other musical ensemble more closely associated with the history and tradition of European classical music than the Vienna Philharmonic Orchestra. Over the past 179 ...

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