Event is Live
Carnegie Hall Presents

Jupiter

Thursday, March 10, 2022 7:30 PM Weill Recital Hall
Jupiter by Julien Benhamou
Thomas Dunford, “the Eric Clapton of the lute” (BBC Music Magazine), brings the exuberance and marvelous virtuosity of Vivaldi’s arias and concertos to life alongside Jupiter, the exceptional early music ensemble. Vivaldi was a prolific vocal composer who wrote exhilarating solo works, operas, and oratorios (an extended musical setting of a sacred text). Mezzo-soprano Lea Desandre who “performs arias like a dove from heaven” (The Independent), sings this music that mesmerizes with its expressive power, glorious melodies, and flights of awe-inspiring athleticism. These same qualities also make his dazzling concertos for string instruments some of the Baroque’s most exhilarating music. 

Performers

Jupiter
·· Thomas Dunford, Artistic Director and Lute
·· Rachell Ellen Wong, Violin
·· Augusta McKay Lodge, Violin
·· Manami Mizumoto, Viola
·· Bruno Philippe, Cello
·· Douglas Balliett, Double Bass
·· Tom Foster, Harpsichord and Organ
Lea Desandre, Mezzo-Soprano

Program

"Vedrò con mio diletto" from Giustino

"Armatae face" from Juditha triumphans

VIVALDI Trio Sonata for Violin and Lute in C Major, RV 82

"Cum dederit" from Nisi Dominus

"Veni, veni, me sequere fida" from Juditha triumphans

Concerto in D Major for Lute, Strings, and Continuo, RV 93

"Gelido in ogni vena" from Farnace

"Gelosia" from Ottone in Villa

Concerto for Cello, Strings, and Continuo in G Minor, RV 416

VIVALDI "Onde chiare che sussurrate" from Ercole su'l Termodonte, RV 710

VIVALDI “Scenderò, volerò, griderò” from Ercole su ’l Termodonte, RV. 710


Encore:

THOMAS DUNFORD/DOUGLAS BALLIETT "We are the Ocean"

Event Duration

The printed program will last approximately two hours, including one 20-minute intermission.

At a Glance

Although he is best known for his endlessly imaginative instrumental music, Vivaldi also produced a significant body of alluring vocal works, ranging from operas to small-scale religious pieces. Tonight’s program illustrates his prowess in several musical genres, both secular and sacred, that came to maturity in the Baroque era: opera, concerto, trio sonata, oratorio, and cantata. One of the most prolific and influential composers of his era, Vivaldi is a staple of modern concert programs. But the extraordinary popular appeal of his music is a fairly recent phenomenon. As early as 1720, Marcello pilloried Vivaldi’s operas in his satire Il teatro alla moda (The Fashionable Theater), and by the late 1700s most of his music had been consigned to obscurity. Not until the 1920s and ’30s, with the rediscovery of many of his manuscript scores, did interest in Vivaldi begin to pick up again. The introduction of long-playing recordings after World War II gave a further fillip to the “Vivaldi craze,” a development that one musicologist called “as momentous for lovers of Baroque music as that of the Dead Sea Scrolls for students of religion.”

Bios

Jupiter

Thomas Dunford, Artistic Director and Lute
Rachell Ellen Wong, Violin | Augusta McKay Lodge, Violin
Manami Mizumoto, Viola | Bruno Philippe, Cello
Douglas Balliett, Bass | Tom Foster, ...

Read More

Thomas Dunford

Born in Paris in 1988, Thomas Dunford discovered lute at the age of nine thanks to his professor Claire Antonini. He continued his studies at the Conservatoire de Paris, where he won first ...

Read More

Lea Desandre

French-Italian mezzo-soprano Lea Desandre was 20 years old when she was awarded a place in William Christie’s Le Jardin des Voix Academy. In 2017, she was named new artist of the year  ...

Read More

Bruno Philippe

Born in 1993, Bruno Philippe studied the cello at the Conservatoire National Supérieur de Musique de Paris with Raphaël Pidoux and Jérôme Pernoo, and chamber music ...
Read More

Stay Up to Date