Event is Live
Carnegie Hall Presents

Miró Quartet

Friday, December 9, 2022 7 PM Weill Recital Hall
Miró Quartet
The Miró Quartet’s return to Weill Recital Hall begins with a composition by Haydn, the “father of the string quartet.” This perfect opening is followed by the New York premiere of a piece partially inspired by the surreal paintings of the quartet’s namesake, Joan Miró. It is composed by Caroline Shaw, one of today’s most exciting composers and the youngest person ever to win the Pulitzer Prize for music. Rounding out the concert is a late 19th-century wonder by Dvořák, widely considered among his finest works.

Performers

Miró Quartet
·· Daniel Ching, Violin
·· William Fedkenheuer, Violin
·· John Largess, Viola
·· Joshua Gindele, Cello

Program

HAYDN String Quartet in B-flat Major, Op. 64, No. 3

CAROLINE SHAW Microfictions [Volume 1] (NY Premiere, co-commissioned by Carnegie Hall)

DVOŘÁK String Quartet No. 13 in G Major

Event Duration

The printed program will last approximately two hours, including one 20-minute intermission. 

At a Glance

HAYDN  String Quartet in B-flat Major, Op. 64, No. 3

Haydn’s 68 string quartets virtually created the chamber-music genre that would occupy a central place in 19th-century European music and musical life. The six Op. 64 quartets date from 1790, shortly before he embarked on the first of two extended trips to London as the most famous composer in Europe. By the time he composed his two Op. 77 quartets nine years later, he was ready to pass the baton to his erstwhile student Beethoven.

 

CAROLINE SHAW  Microfictions [Volume 1]

Inspired, in part, by the radically compressed stories of science fiction writer T. R. Darling, Microfictions reflects Caroline Shaw’s eclectically off-beat sensibility. In a statement posted on her website, the American composer writes: “Caroline loves the color yellow, otters, Beethoven Op. 74, Mozart opera, Kinhaven, the smell of rosemary, and the sound of a janky mandolin.”

 

DVOŘÁK  String Quartet No. 13 in G Major, Op. 106

Dvořák’s second-to-last quartet was written shortly after his return to Prague from the United States in 1895. The G-Major Quartet ranks among the composer’s greatest and most intricately plotted chamber works, with its complex rhythms, subtle blend of Czech and American flavors, and characteristically overflowing abundance of melody.

Bios

Miró Quartet

The Miró Quartet is one of America’s most celebrated and dedicated string quartets, having been labeled by The New Yorker as “furiously committed” and noted by Cleveland’s The Plain Dealer for its “exceptional tonal focus and interpretive intensity.” Based  ...

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