Miró Quartet
Performers
Miró Quartet
·· Daniel Ching, Violin
·· William Fedkenheuer, Violin
·· John Largess, Viola
·· Joshua Gindele, Cello
Program
HAYDN String Quartet in B-flat Major, Op. 64, No. 3
CAROLINE SHAW Microfictions [Volume 1] (NY Premiere, co-commissioned by Carnegie Hall)
DVOŘÁK String Quartet No. 13 in G Major
Event Duration
The printed program will last approximately two hours, including one 20-minute intermission.At a Glance
HAYDN String Quartet in B-flat Major, Op. 64, No. 3
Haydn’s 68 string quartets virtually created the chamber-music genre that would occupy a central place in 19th-century European music and musical life. The six Op. 64 quartets date from 1790, shortly before he embarked on the first of two extended trips to London as the most famous composer in Europe. By the time he composed his two Op. 77 quartets nine years later, he was ready to pass the baton to his erstwhile student Beethoven.
CAROLINE SHAW Microfictions [Volume 1]
Inspired, in part, by the radically compressed stories of science fiction writer T. R. Darling, Microfictions reflects Caroline Shaw’s eclectically off-beat sensibility. In a statement posted on her website, the American composer writes: “Caroline loves the color yellow, otters, Beethoven Op. 74, Mozart opera, Kinhaven, the smell of rosemary, and the sound of a janky mandolin.”
DVOŘÁK String Quartet No. 13 in G Major, Op. 106
Dvořák’s second-to-last quartet was written shortly after his return to Prague from the United States in 1895. The G-Major Quartet ranks among the composer’s greatest and most intricately plotted chamber works, with its complex rhythms, subtle blend of Czech and American flavors, and characteristically overflowing abundance of melody.