Carnegie Hall’s Opening Night Gala
Chicago Symphony Orchestra
Complete this glamorous evening by attending a post-concert, black-tie gala dinner at Cipriani 42nd Street. Availability to purchase tickets (starting at $2,000) is limited. For more information, please contact the Special Events Office at sevents@carnegiehall.org or 212-903-9679. All ticket and table prices include a partially tax-deductible donation that benefits Carnegie Hall’s artistic, education, and social impact programming.
Part of: Carnegie Hall Live on WQXR
Performers
Chicago Symphony Orchestra
Riccardo Muti, Conductor
Leonidas Kavakos, Violin
Program
TCHAIKOVSKY Violin Concerto
MUSSORGSKY Pictures from an Exhibition (orch. Ravel)
Encore:
GIORDANO Intermezzo from Fedora
Event Duration
The printed program will last approximately 75 minutes with no intermission. Please note that there will be no late seating.Event Leadership
Gala Lead Chairmen
Mercedes T. Bass
Hope and Robert F. Smith
Gala Chairmen Committee
Veronica Atkins
Len and Emily Blavatnik
Maral and Sarkis Jebejian
Marie-Josée and Henry R. Kravis
Beatrice Santo Domingo
David M. Siegel and Dana Matsushita
Vista Friends of Hope and Robert F. Smith
Joan and Sanford I. Weill
Corporate Chairmen
Dennis M. Nally
Retired Chairman, PwC
Roy Weathers
Vice Chairman, PwC
Brad Silver
New York Office Managing Partner, PwC
Co-Chairmen
Evercore
Larry Gagosian
Bruce and Suzie Kovner
Xiaoshan Ren
Marvin S. Rosen, Shareholder of Greenberg Traurig
Richard A. Rosenbaum, Executive Chairman of Greenberg Traurig
Jean and Melanie Salata
Elizabeth Segerstrom
Tracy Chutorian Semler and Eric Semler
Georgia Irwin and David S. Winter
Event Details
5:30 PM Cocktail Reception (Rohatyn Room, Carnegie Hall)
7 PM Concert (Stern Auditorium / Perelman Stage)
OR
7 PM Concert (Stern Auditorium / Perelman Stage)
8:30 PM Gala Dinner (Cipriani 42nd Street)
Attire: Black Tie
Event Reservations
Availability to attend the post-concert gala dinner at Cipriani 42nd Street is limited. Pre-concert cocktail reception tickets are sold out. For more information, please contact the Special Events Office at sevents@carnegiehall.org or 212-903-9679.
Please note that exact seating assignments for the concert and dinner will not be determined until the month of the event.
Listen to Selected Works

At a Glance
TCHAIKOVSKY Violin Concerto in D Major, Op. 35
It may be hard to imagine a time at which Tchaikovsky’s Violin Concerto was not beloved, but it in fact received a review so scathing at its premiere that it haunted the composer. For the rest of his life, it is said, Tchaikovsky could quote it by heart. Despite troubled beginnings in the composer’s personal life preceding its composition, initial rejection by its dedicatee violinist Leopold Auer, and under-rehearsed early performances, the concerto was eventually championed by Auer and his students, including Mischa Elman and Jascha Heifetz.
The dislike of Eduard Hanslick, the original offending critic, is hard to understand, for this is hardly an inflated, pretentious, and vulgar work, although those are the words he used. In fact, Tchaikovsky’s lyric gift has seldom seemed so natural, flowing effortlessly through all three movements. What Hanslick failed to notice is the way Tchaikovsky has taken care to cushion even the most challenging, exhibitionistic passages in music of unforced lyricism and restraint.
MUSSORGSKY Pictures from an Exhibition (orch. Ravel)
When artist and architect Victor Hartmann died at the age of 39, little did he know that the pictures he left behind would live on. The idea for an exhibition of Hartmann’s work came from Vladimir Stassov, the influential critic who organized a show in St. Petersburg in the spring of 1874.
Stassov’s memorial show gave Mussorgsky the idea for a suite of piano pieces that depicted the composer “roving through the exhibition, now leisurely, now briskly, in order to come closer to a picture that had attracted his attention, and at times sadly, thinking of his departed friend.” Mussorgsky worked feverishly that spring, and by June 22, 1874, Pictures from an Exhibition was finished. The thought of orchestrating Pictures evidently never occurred to Mussorgsky. But it has intrigued musicians ever since his death. Maurice Ravel unveiled his orchestration in 1922.