Event is Live
Carnegie Hall Presents

Belcea Quartet

Thursday, October 19, 2023 7:30 PM Zankel Hall
Belcea Quartet by Maurice Haas
This program of essential string quartets opens with Beethoven’s String Quartet in C Minor, a key commonly associated with the maestro’s most vigorous works. The Belcea Quartet is renowned for its Beethoven performances, for “single-mindedly fathoming the emotional recesses of the composer’s psyche” (Gramophone). More of the ensemble’s core repertoire follows as they showcase what makes their Bartók interpretations “thrilling … bound for classic status” (London’s The Times). The program closes with Debussy’s sole string quartet, a forward-thinking journey of constant surprise and beauty, unencumbered by the expectations of its time.

Performers

Belcea Quartet
- Corina Belcea, Violin
- Suyeon Kang, Violin
- Krzysztof Chorzelski, Viola
- Antoine Lederlin, Cello

Program

BEETHOVEN String Quartet in C Minor, Op. 18, No. 4

BARTÓK String Quartet No. 1 in A Minor

DEBUSSY String Quartet in G Minor


Encore:

BARTÓK Adagio molto from String Quartet No. 5 in B-flat Major

Event Duration

The printed program will last approximately two hours, including one 20-minute intermission.

Listen to Selected Works

At a Glance

BEETHOVEN  String Quartet in C Minor, Op. 18, No. 4

In the six Op. 18 quartets he wrote between 1798 and 1800, Beethoven staked his claim to his title as a successor of Haydn and Mozart. Though he paid homage to the Classical masters, Beethoven did not hesitate to rewrite the rules for string-quartet composition; the C-Minor Quartet, for example, contains two dance movements—a scherzo and a menuetto. This disregard for convention may have been what led a bewildered critic to describe the Op. 18 quartets as “very difficult to perform and not at all popular.”

 

BARTÓK  String Quartet No. 1, Op. 7

Like Beethoven and Shostakovich, Bartók repeatedly turned to the string quartet as a vehicle for his deepest and most personal musical thoughts. The Hungarian composer’s unrequited love for violinist Stefi Geyer partly inspired the first of his six quartets, one of several works that feature her four-note musical “signature.” The Op. 7 Quartet was first performed in 1910 by the Waldbauer-Kerpely Quartet, which would later introduce Bartók’s second and fourth quartets.

 

DEBUSSY  String Quartet in G Minor, Op. 10

Debussy’s first and only string quartet received little attention when it was first performed in Paris in late 1893. Although a handful of listeners recognized the seeds of the composer’s future greatness, many more seem to have been nonplussed by his unorthodox treatment of harmony and form—the work’s quasi-cyclical structure, in particular, was ahead of its time. Only later did Debussy’s G-Minor Quartet take its place alongside Ravel’s String Quartet as one of the glories of the chamber music literature.

Bios

Belcea Quartet

Passion coupled with precision, unheard-of expressivity, and pure emotion characterize the concerts of the Belcea Quartet. With Romanian violinist Corina Belcea, Korean Australian Suyeon Kang on second violin, Polish violist Krzysztof Chorzelski, and French cellist Antoine Lederlin, four different ...

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