Ensemble Connect
Performers
Ensemble Connect
Program
MISSY MAZZOLI Still Life with Avalanche
BARBER Summer Music
SCHUBERT "Trout" Quintet
Event Duration
The printed program will last approximately 90 minutes, including one 20-minute intermission.Salon Encores
Join us for a free drink at a post-concert reception in Weill Recital Hall’s Jacobs Room.
Learn More
Global Ambassadors: Michael ByungJu Kim and Kyung Ah Park, Hope and Robert F. Smith, and Maggie and Richard Tsai.
Additional support has been provided by the Kathi and Peter Arnow Foundation, Ronald E. Blaylock and Petra Pope, E.H.A. Foundation, Barbara G. Fleischman, Clive and Anya Gillinson, Stella and Robert Jones, Martha and Robert Lipp, Rockefeller Brothers Fund, Susan and Elihu Rose Foundation, Melanie and Jean E. Salata, The Morris and Alma Schapiro Fund, Sarah Billinghurst Solomon and Howard Solomon, Carlos Tome and Theresa Kim, and David S. Winter.
At a Glance
MISSY MAZZOLI Still Life with Avalanche
Born in 1980, Brooklyn-based Missy Mazzoli is one of the most versatile and acclaimed composers of her generation. This engaging, percussion-rich chamber piece bears her fingerprints in its exuberant melodies, pulsating rhythms, kaleidoscopic colors, and minimalist-style repeating patterns. By turns controlled and chaotic, Still Life with Avalanche was commissioned by the new-music ensemble Eighth Blackbird.
BARBER Summer Music, Op. 31
American composer Samuel Barber remained committed to the time-honored virtues of lyricism and elegant craftsmanship long after his warmly neo-Romantic style had fallen out of fashion. These qualities are in evidence in this short, masterly wind quintet of 1955. By turns tenderly nostalgic and brightly energetic, Summer Music is one of Barber’s most characteristic and beloved works.
SCHUBERT Piano Quintet in A Major, D. 667, “Trout”
The “Trout” was one of Schubert’s most popular songs in his day, as it is in ours. So it’s not surprising that he “borrowed” its cheerful tune for the masterly set of variations that graces his great A-Major Piano Quintet. The other four movements are equally inspired, from the opening Allegro vivace to the dancelike Finale—both of which also feature material derived from Schubert’s unpretentious song.