Bamberg Symphony
Part of: Fall of the Weimar Republic: Dancing on the Precipice
Performers
Bamberg Symphony
Jakub Hrůša, Chief Conductor
Hélène Grimaud, Piano
Program
WAGNER Prelude to Lohengrin
BRAHMS Symphony No. 3
R. SCHUMANN Piano Concerto
WAGNER Overture to Tannhäuser
Encores:
BRAHMS Hungarian Dance No. 18 in D Major
BRAHMS Hungarian Dance No. 21 in E Minor
Event Duration
The printed program will last approximately two hours, including one 20-minute intermission.Listen to Selected Works
This Concert in Context
While we now associate the Weimar Republic with modernism in all its various guises, traditional German composers from J. S. Bach and Haydn to Beethoven were a regular staple of concert fare. Even in Berlin, which has become virtually synonymous with the modernist face of “Weimar Culture,” Brahms and R. Schumann ranked among the six most-performed composers by the Berliner Philharmoniker between 1922 and 1925. For his part, Wagner—whose music dramas had attracted an almost cult-like following among Wagnerites on both sides of the Atlantic—became increasingly associated with radical right-wing politics. Widely regarded as Hitler’s favorite composer, Wagner’s connection to Nazism was further cemented due to the warm personal relationship the Nazi dictator enjoyed with Winifred Wagner, the wife of Wagner’s son Siegfried. Hitler would become a regular visitor and patron to the Bayreuth Festival in the 1920s and ’30s until his suicide in 1945, the radio announcement for which featured the music of Wagner and Bruckner.
—Brendan Fay, author of Classical Music in Weimar Germany