Event is Live
Carnegie Hall Presents

Hélène Grimaud, Piano

Wednesday, December 11, 2024 8 PM Stern Auditorium / Perelman Stage
Hélène Grimaud by Mat Hennek
One of the most brilliantly distinctive interpreters of our time performs masterpieces by Beethoven, Brahms, and J. S. Bach. Pianist Hélène Grimaud approaches such works with a rare artistic freedom, resulting in performances that are “not merely proficient tours through the repertoire; they are highly personal explorations that can stand out among dozens of rival performances” (The New Yorker). Grimaud has a well-earned reputation for converting fans who are less familiar with this music in addition to longtime aficionados ready to discover new magic in timeless staples.

Performers

Hélène Grimaud, Piano

Program

BEETHOVEN Piano Sonata No. 30 in E Major, Op. 109

BRAHMS Three Intermezzos, Op. 117

BRAHMS Seven Fantasies, Op. 116

J. S. BACH Chaconne in D Minor from Violin Partita No. 2, BWV 1004 (arr. Busoni)


Encores:

VALENTIN SILVESTROV Bagatelle II

RACHMANINOFF Étude-tableau in C Major

RACHMANINOFF Étude-tableau in C Minor, Op. posth.

Event Duration

The printed program will last approximately 100 minutes, including one 20-minute intermission. 

Listen to Selected Works

This concert is made possible, in part, by The Gary C. and Ethel B. Thom Fund for Piano Performance and Education.

At a Glance

BEETHOVEN  Piano Sonata No. 30 in E Major, Op. 109

Beethoven’s first piano sonatas followed hard on the heels of his Op. 1 piano trios, in which the composer declared his artistic independence. By the time he wrote the last few of his 32 sonatas in the early 1820s, he was no longer a young lion but a battle-scarred warrior whose indomitable spirit shines through in the incandescent slow movement of the E-Major Sonata.

 

BRAHMS  Three Intermezzos, Op. 117; Seven Fantasies, Op. 116

Brahms lavished as much craftsmanship on his short piano pieces as on his sonatas and concertos. The capriccios and intermezzos gathered in his Op. 116 and Op. 117 attest his lifelong interest in the Romantic genre of the character piece, a vehicle for distilling a particular mood or musical idea to its essence.

 

J. S. BACH  Chaconne in D Minor from Violin Partita No. 2, BWV 1004 (arr. Busoni)

Felix Mendelssohn, Robert Schumann, and Brahms are among the 19th-century composers who made keyboard transcriptions of J. S. Bach’s monumental D-Minor Chaconne for solo violin. In his famous arrangement, pianist-composer Ferruccio Busoni added colors and sonorities designed to enhance the grandeur of Bach’s musical conception.

Bios

Hélène Grimaud

Hélène Grimaud is a celebrated pianist whose artistry extends beyond the concert hall. Renowned for her poetic expression and technical prowess, Ms. Grimaud is also a dedicated wildlife conservationist and author. An exclusive Deutsche Grammophon artist since 2002, her recordings have  ...

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