Ryan Speedo Green, Bass-Baritone
Adam Nielsen, Piano
Performers
Ryan Speedo Green, Bass-Baritone
Adam Nielsen, Piano
Program
WOLF Drei Gedichte von Michelangelo
MUSSORGSKY Songs and Dances of Death
TRAD. "Deep River"
G. MAHLER "Urlicht" from Des Knaben Wunderhorn No. 12
SCHUBERT "Der Doppelgänger," D. 957, No. 13
SWANSON "The Negro Speaks of Rivers"
WAGNER "Die Frist ist um" from Der fliegende Holländer
Encores:
TERENCE BLANCHARD "Peculiar Grace" from Fire Shut Up in My Bones
RODGERS "Edelweiss" from The Sound of Music
Event Duration
The printed program will last approximately 90 minutes, including one 20-minute intermission.At a Glance
For his concert, Ryan Speedo Green has chosen an arresting program in three languages—German, Russian, and English—that glorifies the dark resonance of the bass-baritone voice. There are various internal links throughout his choices. At the end of the 19th century, Hugo Wolf had perfected a word-driven style of lyrical declamation that eschewed melody for its own sake. Yet 70 years earlier in one of his last songs, “Der Doppelgänger,” Schubert had experimented with a very similar approach to set the acerbic verse of Heinrich Heine. In another link, Wagner had been inspired by a lengthier Heine poem that added a new element to the Flying Dutchman legend: the damnation of the Dutchman could be halted by the eternal love of a woman. While Heine told the story with his customary satirical edge, Wagner took it completely seriously in his Der fliegende Holländer, which gives us one of the greatest bass-baritone arias in the repertoire: “Die Frist ist um.” We also hear two jewels of the African American song tradition: the well-loved spiritual “Deep River” and Howard Swanson’s extraordinary setting of Langston Hughes’s “The Negro Speaks of Rivers.”