Event is Live
Carnegie Hall Presents

Ryan Speedo Green, Bass-Baritone
Adam Nielsen, Piano

Wednesday, January 22, 2025 7:30 PM Zankel Hall
Ryan Speedo Green by Jiyang Chen, Adam Nielsen by Jiyang Chen
Metropolitan Opera star and Grammy Award winner Ryan Speedo Green performs his Carnegie Hall recital debut with pianist Adam Nielsen. In this wide-ranging program, the versatile bass-baritone showcases his dramatic prowess and range across songs drawn from 19th- and 20th-century European, American, and Russian music, offering a thoughtful meditation on major composers’ responses to mortality. Experience a “powerhouse of a voice that is as strong as it is beautiful” (New York Classical Review) in the intimacy of Zankel Hall.

Performers

Ryan Speedo Green, Bass-Baritone
Adam Nielsen, Piano

Program

WOLF Drei Gedichte von Michelangelo

MUSSORGSKY Songs and Dances of Death

TRAD. "Deep River"

G. MAHLER "Urlicht" from Des Knaben Wunderhorn No. 12

SCHUBERT "Der Doppelgänger," D. 957, No. 13

SWANSON "The Negro Speaks of Rivers"

WAGNER "Die Frist ist um" from Der fliegende Holländer


Encores:

TERENCE BLANCHARD "Peculiar Grace" from Fire Shut Up in My Bones

RODGERS "Edelweiss" from The Sound of Music

Event Duration

The printed program will last approximately 90 minutes, including one 20-minute intermission. 
This concert and the Pure Voice series are sponsored by the Jean & Jula Goldwurm Memorial Foundation in memory of Jula Goldwurm.

At a Glance

For his concert, Ryan Speedo Green has chosen an arresting program in three languages—German, Russian, and English—that glorifies the dark resonance of the bass-baritone voice. There are various internal links throughout his choices. At the end of the 19th century, Hugo Wolf had perfected a word-driven style of lyrical declamation that eschewed melody for its own sake. Yet 70 years earlier in one of his last songs, “Der Doppelgänger,” Schubert had experimented with a very similar approach to set the acerbic verse of Heinrich Heine. In another link, Wagner had been inspired by a lengthier Heine poem that added a new element to the Flying Dutchman legend: the damnation of the Dutchman could be halted by the eternal love of a woman. While Heine told the story with his customary satirical edge, Wagner took it completely seriously in his Der fliegende Holländer, which gives us one of the greatest bass-baritone arias in the repertoire: “Die Frist ist um.” We also hear two jewels of the African American song tradition: the well-loved spiritual “Deep River” and Howard Swanson’s extraordinary setting of Langston Hughes’s “The Negro Speaks of Rivers.”

Bios

Ryan Speedo Green

Three-time Grammy Award–winning bass-baritone Ryan Speedo Green has established himself as an artist of international demand at the world’s leading opera houses and orchestras. ...

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Adam Nielsen

Pianist Adam Nielsen enjoys a diverse career as a collaborative pianist, répétiteur, coach, and artistic administrator who is celebrated for his “deftly and sensitively ...

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