Event is Live
Carnegie Hall Presents

Boston Symphony Orchestra

Thursday, April 24, 2025 8 PM Stern Auditorium / Perelman Stage
Andris Nelsons by Marco Borggreve, Yo-Yo Ma by Jason Bell
The Boston Symphony Orchestra (BSO) recently completed a monumental recording cycle of Shostakovich’s complete symphonies, earning endless critical praise along the way (“scandalously successful,” wrote London’s The Times; “the most electrifying ... in half a century,” said Gramophone). This evening’s program features Symphony No. 11—a musical depiction of 1905’s Russian Revolution—which earned Nelsons and the BSO one of the multiple Grammy Awards (Best Orchestral Performance) they received throughout the project. Adding to the excitement is Yo-Yo Ma as soloist in Shostakovich’s First Cello Concerto, a famously demanding piece that was an early landmark in Ma’s own recording career.

Performers

Boston Symphony Orchestra
Andris Nelsons, Music Director and Conductor
Yo-Yo Ma, Cello

Program

ALL-SHOSTAKOVICH PROGRAM

Cello Concerto No. 1

Symphony No. 11, "The Year 1905"


Encore:

TRAD. "Moyshele" (arr. for cello ensemble by Blaise Déjardin)

Event Duration

The printed program will last approximately two hours, including one 20-minute intermission. Please note that there will be no late seating before intermission.

Listen to Selected Works

Learn More About the Boston Symphony Orchestra

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At a Glance

Shostakovich wrote both his cello concertos for his close longtime friend Mstislav Rostropovich, whom he met in 1943 when the cellist was a 16-year-old student, and with whom he performed his own Cello Sonata in 1954. When Rostropovich learned that the greatest living Russian composer had composed a cello concerto and wished to dedicate it to him, he was so honored he learned the new piece by heart in three days. Rostropovich premiered it in Leningrad in October 1959. With spare character and relatively concise form, the four-movement concerto contrasts with the composer’s large-scale symphonies of the same era.

To commemorate the 40th anniversary of the 1917 Bolshevik Revolution, the Symphony No. 11, “The Year 1905,” is one of many Shostakovich works manifestly celebrating the Soviet state. “The Year 1905” refers to the uprising against the Tsar that laid the groundwork for the 1917 Revolution. Unusually for him, Shostakovich based nearly the entire work on popular songs important to the Revolution; the four movement titles are explicit in their scene-setting. “Palace Square” is a foreboding Adagio, followed by the aggressive “The Ninth of January,” which depicts the uprising’s “Bloody Sunday” massacre; “In Memoriam” is a funeral march, and the powerful, fast finale, “The Tocsin” (alarm bell), recalls the opening movement and suggests the resurgence of revolutionary fervor that would reignite in 1917.

Bios

Andris Nelsons

In the 2024–2025 season, Andris Nelsons celebrates 10 years as the Boston Symphony Orchestra’s Ray and Maria Stata Music Director. Mr. Nelsons became the 15th music director in ...

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Yo-Yo Ma

Yo-Yo Ma’s multifaceted career is a testament to his belief in culture’s power to generate trust and understanding. Whether performing new or familiar works for cello, bringing ...

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