Orpheus Chamber Orchestra is a radical experiment in musical democracy, proving for more than 50 years what happens when exceptional artists gather with total trust in each other and faith in the creative process. Orpheus began in 1972 when cellist Julian Fifer assembled a group of New York freelancers in their early 20s to play orchestral repertoire as if it were chamber music. In that age of co-ops and communes, the idealistic Orpheans snubbed the “corporate” path of symphony orchestras and learned how to play, plan, and promote concerts as a true collective, with leadership roles rotating from the very first performance.
In its first decade, Orpheus made Carnegie Hall its home and became a global sensation through its tours of Europe and Asia. Its catalog of recordings for Deutsche Grammophon, Nonesuch Records, and other labels grew to include more than 70 albums that still stand as benchmarks of the chamber orchestra repertoire, including Haydn symphonies, Mozart concertos, and 20th-century gems by Stravinsky, Schoenberg, Ravel, and Bartók.
The sound of Orpheus is defined by its relationships. Orpheus brings the best out of its collaborators, and those bonds deepen over time, as heard in the long arc of music making with soloists such as Richard Goode, Vadim Gluzman, Anne Akiko Meyers, and Branford Marsalis, and in the commitment to welcoming next-generation artists who include Nobuyuki Tsujii, Tine Thing Helseth, and Caleb Teicher. By partnering with jazz legends Brad Mehldau, Wayne Shorter, and Vijay Iyer, as well as actors Christine Baranski and Liev Schreiber, Orpheus expands the boundaries of what a chamber orchestra can achieve. Relationships with composers like Jessie Montgomery, Billy Childs, and Fazil Say have been another crucial way Orpheus stretches itself, commissioning and performing multiple world premieres each year. Having proven the power of direct communication and open-mindedness within the ensemble, the only relationship Orpheus has never had any use for is one with a conductor.
At home in New York, Orpheus begins its next 50 years with a renewed commitment to enriching and reflecting the surrounding community. It continues its groundbreaking work with those living with dementia and their caregivers through Orpheus Reflections, and the Orpheus Music Academy and Orpheus Leadership Institute spread the positive lessons of trust and democracy to young musicians and those in positions of power. Each year, Access Orpheus reaches 1,500 public school students in all five boroughs of New York City, bringing music into their communities and welcoming them to Carnegie Hall. Always evolving as artists and leaders, the Orpheus musicians carry their legacy forward, counting on their shared artistry and mutual respect to make music and effect change.
